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Collected Works of Nana Asma'u, Daughter of Usman Dan Fodiyo, (1793-1864)
Nana Asma'u Bint Usman 'dan Fodiyo, a nineteenth-century Muslim scholar, lived in the region now known as northern Nigeria and was an eyewitness to battles of the largest of the West-African jihads of the era. The preparation and conduct of the jihad provide the topics for Nana Asma'u's poetry. Her work also includes treatises on history, law, mysticism, theology, and politics, and was heavily influenced by the Arabic poetic tradition. This volume contains annotated translations of works by the 19th century intellectual giant, Nana Asma'u, including 54 poems and prose texts. Asma'u rallied public opinion behind a movement devoted to the revival of Islam in West Africa, and organized a public education system for women.
One Woman's Jihad
This book is a lively life and times of Nana Asma'u (1793-1864), a West African woman who was a Muslim scholar and poet. As the daughter of the spiritual and political leader of the Sokoto community, Asma'u was a role model and teacher for other Muslim women as well as a scholar of Islam and a key advisor to her father as he waged a jihad to convert the population of what is now present day northwestern Nigeria to Islam. Asma'u's literary legacy, consisting of 65 poems in Arabic, Fulfulde and Hausa, constitutes one of the largest existing collections of 19th-century material from the region. Her poetry has been transmitted - even forged - over the years and is familiar to Hausa Muslims today, attesting to the power and continued relevance of her convictions and achievements. One Woman's Jihad provides a fascinating glimpse into the West African Muslim community at a pivotal point in its history.
The Caliph's Sister
A new light is shed on African women of the Sahel in this book about a brilliantly intelligent 19th century woman-jihadist whose legacy of verse contains political and social commentary.
One Woman's Jihad
" . . . a most welcome addition to the body of scholarship on the Sokoto Jihad and Caliphate." —Religious Studies Review The fascinating life and times of Nana Asma'u (1793 - 1864), a West African woman who was a Muslim scholar and poet. As the daughter of the spiritual and political leader of the Sokoto community, Asma'u was a role model and teacher for other Muslim women as well as a scholar of Islam and a key advisor to her father as he waged a jihad to bring Islam to the population of what is now northwestern Nigeria.
Educating Muslim Women
Nana Asma'u was a devout, learned Muslim who was able to observe, record, interpret, and influence the major public events that happened around her. Daughters are still named after her, her poems still move people profoundly, and the memory of her remains a vital source of inspiration and hope. Her example as an educator is still followed: the system she set up in the first quarter of the nineteenth century, for the education of rural women, has not only survived in its homeland through the traumas of the colonization of West Africa and the establishment of the modern state of Nigeria but is also being revived and adapted elsewhere, notably among Muslim women in the United States. This book,...
The Cambridge Companion to Sufism
This book traces the evolution of Sufism from the formative period to the present.
Do Muslim Women Need Saving?
Do Muslim Women Need Saving? is an indictment of a mindset that has justified all manner of foreign interference, including military invasion, in the name of rescuing women from Islam. It offers a detailed, moving portrait of the actual experiences of ordinary Muslim women, and of the contingencies with which they live.
Muslim Women Sing
An intimate portrait of life and artistry among Hausa women singers.
Travelling Home: Essays on Islam in Europe
A forceful study of Islamophobia in Europe in an age of populism and pandemic, considering survival strategies for Muslims on the basis of Qur’an, Hadith, and the Islamic theological, legal and spiritual legacy.
Women, Patronage, and Self-Representation in Islamic Societies
The first to combine the study of representation, gender theory, and Muslim women from a historical and geographical perspective, this book examines where women have represented themselves in art, architecture, and the written word in the Muslim world. The authors explore the gendering and implicit power relations present in the positioning of subject and object in the visual field and look specifically at occasions when women publicly adopted the stance of the viewer, speaker, writer, or patron. Contributors include Ellison Banks Findly, Elizabeth Brown Frierson, Salah M. Hassan, Nancy Micklewright, Leslie Peirce, Kishwar Rizvi, D. Fairchild Ruggles, Yasser Tabbaa, Lucienne Thys-Senoçak, and Ethel Sara Wolper.
