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From true cases in crime files. Written by a former Seattle policewoman.
A collection of true-crime tales, selected from the author's "Crime Files" series, is accompanied by three new cases that chronicle the crimes of seemingly ordinary men possessing a twisted obsession with violence and death.
The author was born and raised on a farm south of Dodge City Kansas. As a child, he could frequently be found playing cowboys and Indians with Dennis Hopper in the Busleys Grocery Store parking lot on Saturdays. After traveling the world for 30 years as a member of the United States Air Force he is fi nally putting some of those experiences down on paper. His writings explore all corners of the human psyche, from the blackest of black to the whitest of white intertwined with a deep red adrenalin rush running through his characters. His passion against; injustice, stupidity and political correctness may be seen from time to time through his writings. If you like this book ,he is currently working on a children’s story, “THE MAKING OF AN ANGEL”, a puppy bought as a Christmas gift, then abandoned when the fun of having a dog wears off will be on the shelves by Christmas, and a novel, “SHADOW OF THE RAINBOW”, born from the aftermath of the Viet Nam War early next year
Hollywood v. Beauty and the Synchronicity of the Six presents the biographies of six movie actresses from the 1920s to the 1970s, with a single actress representing her decade of activity: Louise Brooks 1920s, Jean Harlow 1930s, Hedy Lamarr 1940s, Barbara Payton 1950s, Jean Seberg 1960s, and Sondra Locke 1970s. The synchronicity between the lives of these women is phenomenal, and their stories are as dramatic and exciting as any to come from that town, stretching all the way from complete ruination to thrilling triumph. Along the way, the story of movies in the Golden Age unfolds as six movie actresses try to survive in the most artificial place on Earth. The power elite of Hollywood could transform unknowns into movie stars or erase the famous into oblivion. Since beauty has its own innate power, it is inevitable these two entities would face off.
"Norwegians, Swedes and More" provides a synopsis of our ancestral family components; Norwegians and Swedes as well as those of French, German, English and Canadian descent by way of the St. Lawrence Seaway in Quebec and upstate New York. Part I, Destination Dakota Territory, describes Loren's multifaceted family from all of the above backgrounds and finds them as homesteaders in Minnehaha County, "Dakota" [Dakota Territory, South Dakota]. Part II, Norway to Minnesota, is "all Norwegian" and finds Mavis' families homesteading in Lac qui Parle County in west central Minnesota where they reached their final Vesterheim. This book is the fourth of six about these families, each containing the same core of material to set the stage for individual family presentations. Book Four provides descriptions and stories about Loren's Benson - Johnson Swedish ancestors and descendants after beginning their lives in Eldsberga and Halmstad areas in southwestern Sweden.
This is a history and critical appreciation of an unusually fertile period for the production of great or near-great silent films: late 1927 through early 1929, in the midst of the tumult and upheaval of Hollywood's transition from silent to sound. The book offers in-depth looks at several of the best of these films and discusses the gifted artists such as Charlie Chaplin, Mary Pickford, and Lillian Gish who helped bring them to life, even as the art they had taken to remarkable heights was about to be obliterated. It depicts some of the silent medium's most talented filmmakers and their efforts--in the face of inescapable technological change--to give their dying art a rousing last hurrah.
This edition of Gateway to the West has been excerpted from the original numbers, consolidated, and reprinted in two volumes, with added Publisher's Note, Tables of Contents, and indexes, by Genealogical Publishing Co., SInc., Baltimore, MD.
Pugh explores Capote through a cinematic lens, skillfully weaving the most relevant elements of Capote's biography with insightful critical analysis of the films, screenplays, and adaptations of his works that composed his fraught relationship with the Hollywood machine.