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In the last ten years, television has reinvented itself in numerous ways. The demise of the U.S. three-network system, the rise of multi-channel cable and global satellite delivery, changes in regulation policies and ownership rules, technological innovations in screen design, and the development of digital systems like TiVo have combined to transform the practice we call watching tv. If tv refers to the technologies, program forms, government policies, and practices of looking associated with the medium in its classic public service and three-network age, it appears that we are now entering a new phase of television. Exploring these changes, the essays in this collection consider the future...
Despite claims from pundits and politicians that we now live in a post-racial America, people seem to keep finding ways to talk about race—from celebrations of the inauguration of the first Black president to resurgent debates about police profiling, race and racism remain salient features of our world. When faced with fervent anti-immigration sentiments, record incarceration rates of Blacks and Latinos, and deepening socio-economic disparities, a new question has erupted in the last decade: What does being post-racial mean? The Post-Racial Mystique explores how a variety of media—the news, network television, and online, independent media—debate, define and deploy the term “post-rac...
Explains why audiences dislike certain media and what happens when they do The study and discussion of media is replete with talk of fans, loves, stans, likes, and favorites, but what of dislikes, distastes, and alienation? Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. As we watch and listen through gritted teeth, Dislike-Minded listens to what is being said, and presents a bold case for a new line of audience research within communication, media, and cultural studies.
"In an era of military conflict and economic hardship, religious and political leaders adamantly speak in the language of crisis. Whether one attributes this public religious fervor to a response to the attacks of September 11, 2001, millennial hopes and fears, a sense of moral decay (generally based on either growing economic inequality or the 'breakdown of the American family'), or a sign of the normal progression of the stages of history, the discourse of religious revival is increasingly prominent. And, as is amply evident in the United States and throughout the world, devout declarations of religious belief in the public sphere can bring intractable passions to politics."—from Chapter...
The city of Decatur, Georgia, was founded in 1823. The place of Decatur has existed for several billion years. Unlike other history books that tell the story of a town beginning with its founding, Native Decatur tells the story of how the place came to be. The story begins over a billion years ago with the creation of the current landscape and explains each era of natural and cultural history as a saga of evolution, tragedy, violence, wonder and hope that led to the settlement of the city. The narrative is supported by more than 75 illustrations, photos, historical maps and exhibits. Today's points of interest and remnants of the past are then specifically identified and explained so that you can visit and appreciate them today.