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Mermaids and the Production of Knowledge in Early Modern England
We no longer ascribe the term ’mermaid’ to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid’s image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid’s existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions abo...
Political Speaking Justified
An Inspector Alvarez Mystery - Inspector Alvarez is just considering whether he can surreptitiously leave work early when a colleague calls to tell him that an Englishman has been found dead in his car in his garage, the engine on and the tank empty. Alvarez, chafing over the prospect of an evening on the job, proceeds to the scene, but his hopes of a quick and easy case are dashed – for while the man was found in a car full of fumes, it appears the cause of death was not carbon-monoxide poisoning . . .
Margaret Cavendish
Exploring connections between Cavendish's science, literature, and politics, Walters challenges the view that Cavendish's thought was characterised by conservative royalism.
Stuart Women Playwrights, 1613–1713
In the field of seventeenth-century English drama, women participated not only as spectators or readers, but more and more as patronesses, as playwrights, and later on as actresses and even as managers. This study examines English women writers' tragedies and tragicomedies in the seventeenth century, specifically between 1613 and 1713, which represent the publication dates of the first original tragedy (Elizabeth Cary's The Tragedy of Mariam) and the last one (Anne Finch's Aristomenes) written by a Stuart woman playwright. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's tragedies and tragicomedies. In examining the whole of the century from a gender perspective, this project breaks away from conventional approaches to the subject, which tend to establish an unbridgeable gap between the early Stuart period and the Restoration. All in all, this study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.
The Public Intellectual and the Culture of Hope
The Public Intellectual and the Culture of Hope reflects on the challenging and often vexed work of intellectualism within the public sphere by exploring how cultural materials frame intellectual debates within the clear and ever-present gaze of the public writ large.
Privacy in the Age of Shakespeare
In Privacy in the Age of Shakespeare, Ronald Huebert challenges these assumptions by marshalling evidence that it was in Shakespeare s time that the idea of privacy went from a marginal notion to a desirable quality."
Home and Nation in British Literature from the English to the French Revolutions
In a world of conflicting nationalist claims, mass displacements and asylum-seeking, a great many people are looking for 'home' or struggling to establish the 'nation'. These were also important preoccupations between the English and the French revolutions: a period when Britain was first at war within itself, then achieved a confident if precarious equilibrium, and finally seemed to have come once more to the edge of overthrow. In the century and a half between revolution experienced and revolution observed, the impulse to identify or implicitly appropriate home and nation was elemental to British literature. This wide-ranging study by international scholars provides an innovative and thorough account of writings that vigorously contested notions and images of the nation and of private domestic space within it, tracing the larger patterns of debate, while at the same time exploring how particular writers situated themselves within it and gave it shape.
The Concept of Woman, v3
The culmination of a lifetime's scholarly work, this pioneering study by Sister Prudence Allen traces the concept of woman in relation to man in Western thought from ancient times to the present. Volume I uncovers four general categories of questions asked by philosophers for two thousand years. These are the categories of opposites, of generation, of wisdom, and of virtue. Sister Prudence Allen traces several recurring strands of sexual and gender identity within this period. Ultimately, she shows the paradoxical influence of Aristotle on the question of woman and on a philosophical understanding of sexual coomplemenarity. Supplemented throughout with helpful charts, diagrams, and illustrat...
Cavendish
Margaret Cavendish (1623 - 1673) was a philosopher, poet, scientist, novelist, and playwright of the seventeenth century. Her work is important for a number of reasons. It presents an early and compelling version of the naturalism that is found in current-day philosophy; it offers important insights that bear on recent discussions of the nature and characteristics of intelligence and the question of whether or not the bodies that surround us are intelligent or have an intelligent cause; it anticipates some of the central views and arguments that are more commonly associated with figures like Thomas Hobbes and David Hume. This is the first full account of Cavendish’s philosophy and covers t...
Lucy Hutchinson and the English Revolution
In Lucy Hutchinson and the English Revolution, Claire Gheeraert-Graffeuille explores Lucy Hutchinson's historical writings and the Memoirs of the Life of Colonel Hutchinson, which, although composed between 1664 and 1667, were first published in 1806. The Memoirs were a best-seller in the nineteenth century, but largely fell into oblivion in the twentieth century. They were rediscovered in the late 1980s by historians and literary scholars interested in women's writing, the emerging culture of republicanism, and dissent. By approaching the Memoirs through the prism of history and form, this book challenges the widely-held assumption that early modern women did not - and could not - write the history of wars, a field that was supposedly gendered as masculine. On the contrary, Gheeraert-Graffeuille shows that Lucy Hutchinson, a reader of ancient history and an outstanding Latinist, was a historian of the English Revolution, to be ranked alongside Richard Baxter, Edmund Ludlow, and Edward Hyde.
