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In Against the Unspeakable, Naomi Mandel offers a paradigm of reading that will enable the crucial work on comparative atrocities and the representation of suffering to move beyond the impasse of "unspeakability." Discussing a variety of texts such as Toni Morrison's Beloved, Steven Spielburg's Schindler's List, and William Styron's Confessions of Nat Turner, Mandel asks: What does the evocation of the limits of language enable writers, authors, and critics to do?
Collection of new critical essays on Bret Easton Ellis, focusing on his later novels: American Psycho (1991), Glamorama (1999), and Lunar Park (2005).
The uneasy link between tourism and collective memory at Holocaust museums and memorials Each year, millions of people visit Holocaust memorials and museums, with the number of tourists steadily on the rise. What lies behind the phenomenon of "Holocaust tourism" and what role do its participants play in shaping how we remember and think about the Holocaust? In Postcards from Auschwitz, Daniel P. Reynolds argues that tourism to former concentration camps, ghettos, and other places associated with the Nazi genocide of European Jewry has become an increasingly vital component in the evolving collective remembrance of the Holocaust. Responding to the tendency to dismiss tourism as commercial, su...
This book, based on the descriptions of their dreams that former Auschwitz inmates wrote in 1973, provides a deep, insightful explanation of the role of dreams in shaping the prisoners’ experiences. It studies these testimonies from a broad, interdisciplinary perspective, analysing the psychological, social, anthropological, narrative and even artistic dimensions of the reports. The book characterises the content of the dreams and their possible meanings, the manners in which the respondents sensed, understood and described their dreams, and the informants’ attitudes towards dreaming. Among thousands of books about the Nazi atrocities, this one is unique because it explores the Holocaust through the prism of dreams. The dream descriptions serve here as an exceptional source of knowledge. They often reveal not only an image of the camp reality, but also the truth that remained unconscious, incomprehensible, and unspeakable for the dreamers themselves. As such, this text will serve to open a completely new way of thinking and writing about the Holocaust.
Toni Morrison, the only living American Nobel laureate in literature, published her first novel in 1970. In the ensuing forty plus years, Morrison's work has become synonymous with the most significant literary art and intellectual engagements of our time. The publication of Home (May 2012), as well as her 2011 play Desdemona affirm the range and acuity of Morrison's imagination. Toni Morrison: Forty Years in The Clearing enables audiences/readers, critics, and students to review Morrison's cultural and literary impacts and to consider the import, and influence of her legacies in her multiple roles as writer, editor, publisher, reader, scholar, artist, and teacher over the last four decades....
With the disappearance of the eyewitness generation and the globalization of Holocaust memory, this book interrogates key concepts in Holocaust and trauma studies through an assessment of contemporary German-language Jewish authors.
Bodies and Battlefields shows how our attitudes about war and about abortion are united in the idea of sacrifice. This work is intended to instigate a cultural transition toward different moral sentiments about violence. It is an attempt to promote new reflections on important ideas, risking challenges on all sides. It does more than note the hypocrisy of the anti-war people who support abortion. It does more than note the hypocrisy of the anti-abortion people who support war. Its positive goal is to develop new moral sentiments that promote a culture that is open to creative and radical moral revolution that will overturn an ancient cultural residue that makes us believe killing is inevitable.
Images, Ethics, Technology explores the changing ethical implications of images and the ways they are communicated and understood. It emphasises how images change not only through their modes of representation, but through our relationship to them. In order to understand images, we must understand how they are produced, communicated, and displayed. Each of the 14 essays chart the relationship to technology as part of a larger complex social and cultural matrix, highlighting how these relations constrain and enable notions of responsibility with respect to images and what they represent. They demonstrate that as technology develops and changes, the images themselves change, not just with respect to content, but in the very meanings and indices they produce. This is a collection that not only asks: who speaks for the art? But also: who speaks for the witnesses, the cameras, the documented, the landscape, the institutional platforms, the taboos, those wishing to be forgotten, those being seen and the experience of viewing itself? Images, Ethics, Technology is ideal for advanced level students and researchers in media and communications, visual culture and cultural studies.
Philosophers have long tussled over whether moral judgments are the products of logical reasoning or simply emotional reactions. From Jane Austen's Sense and Sensibility to the debates of modern psychologists, the question of whether feeling or sober rationality is the better guide to decision making has been a source of controversy. In Do Emotions Help or Hurt Decision Making? Kathleen Vohs, Roy Baumeister, and George Loewenstein lead a group of prominent psychologists and economists in exploring the empirical evidence on how emotions shape judgments and choices. Researchers on emotion and cognition have staked out many extreme positions: viewing emotions as either the driving force behind ...
Bringing together 17 articles by renowned scholars from around the globe, this volume offers a multi-dimensional view of comparative and world literature. Drawing on the scope of these scholars’ collective intellects and insights, it connects disparate research contexts to illuminate the multi-dimensional views of related areas as we step into the third decade of the 21st century. The book will be of particular interest to scholars working in comparative literary and cultural studies and to readers interested in the future of literary studies in a cross-culturized world.