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Two imprisoned young women, one African American and the other white, form a perilous bond. As they serve time they forge a plan for survival. They practice hard. If they don't get it right they'll lose everything: the outside world is even more dangerous to their friendship than the jail itself. Exploring the fierce dreams of youth and the brutal reality of adulthood in 1950's segregated America, Naomi Wallace's And I and Silence premiered at the Finborough Theatre, London, in May 2011.
Set in plague-ravaged 17th century London where social roles and the boundaries that describe them have been into chaos. The definition of morality is up for grabs. History is being tantalised. And whilst the wealthy William Snelgrave dreams of sweating, swearing tars, and of how sailors satisfy their "baser instincts" so far away from female company, his own wife, untouched for 40 years, is discovering that her dreadfully burned body may not be numb after all. The human heart craves comfort, contact, tenderness; survival may take many forms
“American theater needs more plays like Naomi Wallace’s The Liquid Plain—by which I mean works that are historical, epic and poetic, that valorize the lives of the poor and oppressed.”—Time Out New York On the docks of late eighteenth-century Rhode Island, two runaway slaves find love and a near-drowned man. With a motley band of sailors, they plan a desperate and daring run to freedom. As the mysteries of their identities come to light, painful truths about the past and present collide and flow into the next generation. Acclaimed playwright Naomi Wallace’s newest work brings to life a group of people whose stories have been erased from history. Told with lyricism and power, The ...
Naomi Wallace's plays speak the underside of life. Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language. Includes; One Flea Spare, In the Heart of America, Slaughter City, The War Boys, and The Trestle at Pope's Creek.
Alabama. 1932. In his log cabin, Tice reads from two books. He swears by his Bible and dreams of spreading the word of Karl Marx. His daughter Cali no longer dreams. Her world extends no further than the washing of sheets for rich white folk. They wake in the night to an ominous knocking at their door, and an enigmatic stranger enters their lives who intends to turn their worlds upside down. Will this lead to Tice's version of heaven or Cali's dream of hell?
A Study Guide for Naomi Wallace's "One Flea Spare," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
A play set somewhere in the past in a US sausage-making factory where the workers are subjected to harassment and impossible production schedules.
Dalton Chance, fifteen years old and an open book. Pace Creagan, seventeen, brimful of adventure, fearless and feared. To Dalton, she's irresistible. To Pace, he's a challenge. The Trestle at Pope Lick Creek is a beautiful and haunting play. A coming-of-age story with a wicked twist, it reaches into the depths of a nation and asks what lies beneath. The Trestle at Pope Lick Creek received its European première at the Traverse Theatre, Edinburgh, in February 2001.
Naomi Wallace, an American playwright based in Britain, is one of the more original and provocative voices in contemporary theatre. Her poetic, erotically-charged, and politically engaged plays have been seen in London's West End, off-Broadway, at the Comédie-Française, in regional and provincial theaters, and on college campuses around the world. Known for their intimate, sensual encounters examining the relationship between identity and power, Wallace's works have attracted a wide range of theatre practitioners, including such important directors as Dominic Dromgoole, Ron Daniels, Jo Bonney, and Kwame Kwei-Armah. Drawing on scholars, activists, historians, and theatre artists in the United States, Canada, Britain, and the Middle East, this anthology of essays presents a comprehensive overview of Wallace's body of work that will be of use to theatre practitioners, students, scholars, and educators alike.
This book provides a forum for a wide range of theatre, music and performance artists to talk about where they stand in relation to new technologies, intercultural collaborations, and the making of interdisciplinary work. Looking at how time, space and memory play an active role in shaping different artistic visions, editor Caridad Svich has gathered the voices of unique and dynamic artists including Tim Etchells, Rinde Eckert, Richard Foreman, Peter Gabriel, David Greig, Guillermo Gomez-Peña, Phelim McDermott and Peter Sellars as a way to examine the impact of globalisation on the creation and development of new work.