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The Lonely Other
The Lonely Other chronicles the life of a woman constantly facing new amazements. In Wound Chevy at Wounded Knee (Best of the Best American Essays (1994)) Diana Hume Georgia recounts how she lived a trapped and futile life as a white teenage bride on an Indian reservation. As an adult she confronts drunken hunters outside her isolated cabin; she faces her fear of heights by climbing in the White Mountains; she unflinchingly delves into her long-standing engagement with Anne Sexton's poetry, and into her own father's suicide. Always she wonders: Can women learn to travel alone, on roads and in their daily lives, without fear.
Scraping by in the Big Eighties
The author describes how her rejection of the materialism of her generation and her low-budget search for creative fulfillment led her to a duplex in Seattle, a beach hut in Mexico, and a Left Bank convent, but never freed her from her obligations as an American.
Rooted in Rock
In the past twenty years the Adirondacks have inspired a resident population of writers who have gained regional and national prominence using the Adirondack region as their primary setting and subject matter—or at least as a significant point of departure. Rooted in Rock is the first collection of its kind in more than twenty years, since Paul Jamieson's Adirondack Reader. What makes the volume unique, though, is the number of contributors who not only make the Adirondacks their subject, but who make their homes in these mountains. The works in this volume include contemporary essays, literary nonfiction, poetry, short fiction, and excerpted fiction and are a mix of new and previously published writings by forty-three authors, established as well as emerging, including Bill McKibben, Sue Halpern, Russell Banks, Alex Schoumatoff, Chase Twichell, Curt Stager, Amy Godine, and Jim Gould, to name a few.
The Memory Palace
A gorgeous memoir about the 17 year estrangement of the author and her homeless schizophrenic mother, and their reunion.
Landscapes with Figures
For some, a sense of place is about travel, about plunging oneself into new settings. For others, it is about being?and knowing?home. This book is a collection of essays, memoirs, nature writing, and travel narratives that document the impact this sense of place has on writing. In locations as familiar as Cape Cod or Mesa Verde and as exotic as Krak¢w or Kyrgyzstan, thirteen accomplished writers of contemporary creative nonfiction share some of their most memorable work, disclosing how place alters our perception and influences our insight. ø Taking readers to deserts and forests, islands and mountains, Landscapes with Figures is an encounter not only with places but also with writers them...
This Is Not the Ivy League
Mary Clearman Blew's education began at home, on a remote cattle ranch in Montana. She graduated to a one-room rural school, then escaped, via scholarship, to the University of Montana, where, still in her teens, she met and married her first husband. This Is Not the Ivy League is her account of what it was to be that girl, and then that woman--pressured by husband and parents to be the conventional wife of the 1950s, persisting in her pursuit of an education, trailed by a reluctant husband and small children through graduate school, and finally entering the job market with a PhD in English only to find a whole new set of pressures and prejudices. This memoir is Blew's behind-the-scenes account of pursuing a career at a time when a woman's place in the world was supposed to have limits. It is a story of both the narrowing perspective of the social norm and the ever-expanding possibilities of a woman who refuses to be told what she can and cannot be.
Collateral Language
Thirteen essays contextualizing the new meanings around certain words and phrases in the post-9/11 discourse Terrorism, jihad, fundamentalism, blowback. These and other highly charged terms have saturated news broadcasts and everyday conversation since September 11th. But to keen ears their meanings change depending upon who's doing the talking. So what do these words really mean? And what are people trying to say when they use them? Each of the thirteen essays in Collateral Language offers an informed perspective on a particular word or phrase that serves as a building block in the edifice of post-World Trade Center rhetoric. In some cases this involves a systematic examination of the term ...
Works Cited
“Doing things by the book” acquires a whole new meaning in Brandon R. Schrand’s memoir of coming of age in spite of himself. The “works cited” are those books that serve as Schrand’s signposts as he goes from life as a hormone-crazed, heavy-metal wannabe in the remotest parts of working-class Idaho to a reasonable facsimile of manhood (with a stop along the way to buy a five-dollar mustard-colored M. C. Hammer suit, so he’ll fit in at college). The Adventures of Huckleberry Finn informs his adolescent angst over the perceived injustice of society’s refusal to openly discuss boners. The Great Gatsby serves as a metaphor for his indulgent and directionless college days spent in a drunken stupor (when he wasn’t feigning interest in Mormonism to attract women). William Kittredge’s Hole in the Sky parallels his own dangerous adulthood slide into alcoholism and denial. With a finely calibrated wit, a good dose of humility, and a strong supporting cast of literary characters, Schrand manages to chart his own story—about a dreamer thrown out of school as many times as he’s thrown into jail—until he finally sticks his landing.
Homing
Homing: Instincts of a Rustbelt Feminist traces the creative coming of age of a mill-town feminist. Sherrie Flick, whose childhood spanned the 1970s rise and 1980s collapse of the steel industry, returned to Pittsburgh in the late 1990s, witnessing the region’s before and its after. With essays braiding, unbraiding, and then tangling the story of the author’s father with Andy Warhol, faith, dialect, labor, whiskey, Pittsburgh’s South Side Slopes neighborhood, grief, gardening, the author’s compulsion to travel, and her reluctance to return home, Flick examines how place shaped her experiences of sexism and feminism. She also looks at the changing food and art cultures and the unique geography that has historically kept this weird hilly place isolated from trendy change. Carefully researched, deeply personal, and politically grounded in place and identity, Homing is an explicitly feminist and anti-nostalgic intervention in writing about the Rustbelt.
American Lives
In prose as diverse as the stories they tell, writers such as Floyd Skloot, Ted Kooser, Peggy Shumaker, and Lee Martin, among many others, open windows to their own ordinary and extraordinary experiences. John Skoyles tells how, for his Uncle Fred, a particular "Hard Luck Suit" imparted misfortune. Brenda Serotte describes a Turkish grandmother who made her living reading palms, interpreting cups, and prescribing poultices for the community. In "Son of Mr. Green Jeans," Dinty W. Moore views fatherhood through the lens of pop culture. Janet Sternburg's Phantom Limb muses on the dilemmas of a child caring for a parent. Whether evoking moments of death or disease, in family or marriage, history, politics, religion, or culture, these glimpses into singular American lives come together in a richly textured, colorful patchwork quilt of American life.
