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By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, Natalie Adamson traces the artists, exhibitions, and art critical debates that made the École de Paris a zone of aesthetic and political conflict. This study presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in postwar France.
For much of the twentieth century, France recruited colonial subjects from sub-Saharan Africa to serve in its military, sending West African soldiers to fight its battles in Europe, Southeast Asia, and North Africa. In this exemplary contribution to the “new imperial history,” Gregory Mann argues that this shared military experience between France and Africa was fundamental not only to their colonial relationship but also to the reconfiguration of that relationship in the postcolonial era. Mann explains that in the early twenty-first century, among Africans in France and Africa, and particularly in Mali—where Mann conducted his research—the belief that France has not adequately recog...
This is the first book in many years about the nineteenth-century French artist Henri Regnault. Controversial and celebrated in his day, Regnault did not live long. He died at the age of 28 in the Franco-Prussian War, becoming a hero of the French nation. What sets him apart from the more conventional members of the French academy is his great skill in painting Oriental exotic subjects and doing so in a highly materialistic vein designed to produce, through elements like gold paint, garish colors, and odd details, blatant amusement for the eye. In a word, his images are both delightful and awful. Gotlieb s book combines biography, history, and comparative readings of works by Regnault with those by other French artists such as Delacroix, Fromentin, and Renoir. It also, importantly, explores the afterlives of Regnault as a cultural and artistic figure, as well as his diminishment during the rise of modernism and his eventual demise in the history of art."
Biographical note: Sascha Bru, Genth University, Belgium; Peter Nicholls, University of Sussex, UK.
Beyond Boundaries: East and West Cross-Cultural Encounters is a collection of essays which span several countries, centuries and disciplines in their exploration of East-West cultural exchanges and interactions. The chapters are arranged in chronological and thematic order, and encompass the cutting edge research of a diverse group of international scholars. The subjects range from archaeology, art history and photography, to conservation, sociology and cultural studies, with cross-disciplinary examples of classical, modern and contemporary periods. The book seeks to inspire new ideas and stimulate further scholarly debate on the convergence, dissimilarities and mutual influences of the visual arts and material culture of Asia, the Middle East, Europe and the United States. The volume will be of interest to scholars and students working in the fields of art and cultural history as well as intercultural studies. It will be equally useful to collectors, artists and curators of global art and world cultures.
An elegant, original and very well written book, luminous with meaning, full of superb cameos and suggestive arguments ... the central figures are both charismatic, articulate and iconic: they are central to any estimation of twentieth-century Australian cultural and environmental history.-Dr Tom Griffiths, Australian National University This is a path-breaking work ... the environmental aspect of the work is powerful, and there are some wonderful ideas about what is 'civilised' and what is 'wilderness'. Brigid Hains has reinvigorated the tradition of 'frontier studies'. -Dr Jane Carruthers, University of South Africa The frontier mythology of the early twentieth century laid the groundwork ...
"This book offers a comprehensive account of the life and thought of the major Irish philosopher of the Enlightenment. Building on a study of Berkeley's better known early life and work as an immaterialist philosopher in Trinity College, Dublin the book explores connections between Berkeley's metaphysics and every aspect of his career. Touring Italy as a chaplain and tutor, campaigning for and travelling to Rhode Island to establish a university on Bermuda, working as a bishop in rural Ireland, writing on Christian apologetics, economic stimulus, and the philosophical implications of drinking tar-water - all of these activities are occasions for Berkeley to practice philosophy. In his family...