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Switched on Pop
Based on the critically acclaimed podcast that has broken down hundreds of Top 40 songs, Switched On Pop dives in into eighteen hit songs drawn from pop of the last twenty years--ranging from Britney to Beyoncé, Kelly Clarkson to Kendrick Lamar--uncovering the musical explanations for why and how certain tracks climb to the top of the charts. In the process, authors Charlie Harding and Nate Sloan reveal the timeless techniques that animate music across time and space.
Magic on His Mind
Sergeant Gabriel Hunt can move small, inanimate objects with his mind. A handy talent, but one fraught with dangerous consequences if used recklessly. He employs his gift only when necessary and covertly where possible. He has been sent east to retrieve his commander's daughter and escort her back to Fort Dent. A simple assignment, until train robbers and a willful, golden-haired lady threaten to expose his secrets. Margaret Ellen Myer has been summoned to her father's garrison in the Indian Territories. A misconstrued incident with a stable boy yielded a broken engagement and disgrace. Her only source of comfort is a black stallion she raised from birth. When the horse is stolen, her journey with Sergeant Hunt to recover the stallion challenges her perceptions about life and love.
Between Beats
Between Beats: The Jazz Tradition and Black Vernacular Dance offers a new look at the complex intersections between jazz music and popular dance over the last hundred-plus years. Author Christi Jay Wells shows how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development even as jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of choreographies of listening, the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. It also...
Short
Julia is very short for her age, but by the end of the summer she'll realize how big she is inside, where it counts. This is the summer she gets cast as a munchkin in a production of The Wizard of Oz. She hasn't ever thought of herself as a performer, but as Julia becomes friendly with the poised and wise Olive - an adult with dwarfism who doesn't let her size define her - and with a deeply artistic neighbour named Mrs. Chang, she finds that she may not be as tall as everyone else, but she more than deserves to hold her head high.
Behind the Screen
How and why was outdated racial content - and specifically blackface minstrelsy - not only permitted, but in fact allowed to thrive during the 1930s and 1940s despite the rigid motion picture censorship laws which were enforced during this time? Introducing a new theory of covert minstrelsy, this book illuminates Hollywood's practice of capitalizing on the Africanist aesthetic at the expense of Black lived experience. Through close examination of the musicals made during this period, this book shows how Hollywood utilized a series of covert "guises" or subterfuges-complicated and further masked by a film's narrative framing and novel technology to distract both censors and audiences from see...
The Guardian
The mission was supposed to be simple: Get in. Save the girl. Get the hell out. But Warren Parish knows nothing is simple with demons involved, and storming the gates of Hell will be no exception. An innocent woman is trapped in Nulterra, but this journey is so much more than a rescue mission. Along with his new enchanted sword capable of killing angels, it seems the demons have forged another powerful object… A magical stone that can grant him what he wants most in all three realms—a life on Earth with his daughter.
Living Genres in Late Modernity
Living Genres in Late Modernity rehears the American 1970s through the workings of its musical genres. Exploring stylistic developments from the late 1960s through the early 1980s, including soul, funk, disco, pop, the nocturne, and the concerto, Charles Kronengold treats genres as unstable constellations of works, people, practices, institutions, technologies, money, conventions, forms, ideas, and multisensory experiences. What these genres share is a significant cultural moment: they arrive just after “the sixties” and are haunted by a sense of belatedness, loss, or doubt, even as they embrace narratives of progress or abundance. These genres give us reasons—and means—to examine our culture’s self-understandings. Through close readings and large-scale mappings of cultural and stylistic patterns, the book’s five linked studies reveal how genres help construct personal and cultural identities that are both partial and overlapping, that exist in tension with one another, and that we experience in ebbs and flows.
Into the Taylor-Verse
A beautifully illustrated, comprehensive collectible for Swifties everywhere that offers an overview of Taylor Swift’s life and work, including hidden references for fans to discover in a stunning, giftable package. Into the Taylor-Verse is an inventive, deeply detailed appreciation of Taylor Swift’s songwriting prowess, her incomparable live performances, and the themes of adolescence and adulthood she’s detailed so lovingly throughout the different eras of her career from her Fearless to Midnights. This book explores her prolific discography, as well as her worldwide tours, her phoenix-like rise from the ashes to reclaim her music publishing rights, and most importantly of all, her S...
The Cambridge Companion to Gershwin
Explores how Gershwin's iconic music was shaped by American political, intellectual, cultural and business interests as well as technological advances.
