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North African Cinema in a Global Context
This book provides insight into contemporary film production from North African countries referred to as the Maghreb. Focus is both on the socio-economic context of film production, which suffers some of the same setbacks and obstacles as other regions of the developing world, and on the thematic details treated in the films themselves. The book delves into ideas such as gender and sexuality, national identity, political conflict, and issues of post and neo-colonial relationships in the context of globalisation. The book includes close analyses of individual films which at times show the taboo subjects of sexual and substance abuse, the lives of street children, and prostitution, as well as ...
Film in the Middle East and North Africa
*A timely window on the world of Middle Eastern cinema, this remarkable overview includes many essays that provide the first scholarly analysis of significant works by key filmmakers in the region.
The Jews of Modern France
The Jews of Modern France: Images and Identities synthesizes much of the original research on modern French Jewish history published over the last decade. Themes include Jewish self-representation and discursive frameworks, cultural continuity and rupture from the eve of emancipation to the contemporary period, and the impact of France's role as a colonial power. This volume also explores the overlapping boundaries between the very categories of "Jewish" and "French." As a whole, this volume focuses on the shifting boundaries between inner-directed and outer-directed Jewish concerns, behaviors, and attitudes in France over the course of the nineteenth and twentieth centuries. Contributors highlight the fluidity of French Jewish identity, demonstrating that there is no fine line between communal insider and outsider or between an internal and external Jewish concern.
What Moroccan Cinema?
From its early focus on documentary film and nation building to its more recent spotlight on contemporary culture and feature filmmaking, Moroccan cinema has undergone tremendous change since the country's independence in 1956. In What Moroccan Cinema? A Historical and Critical Study, 1956-2006, Sandra Gayle Carter chronicles the changes in Moroccan laws, institutions, ancillary influences, individuals active in the field, representative films, and film culture during this fifty-year span. Focusing on Moroccan history and institutions relative to the cinema industry such as television, newspaper criticism, and Berber videomaking, What Moroccan Cinema? is an intriguing study of the ways in which three historical periods shaped the Moroccan cinema industry. Carter provides an insightful and thorough treatment of the cinema institution, discussing exhibition and distribution, censorship, and cinema clubs and caravans. Carter grounds her analysis by exploring representative films of each respective era. The groundbreaking analysis offered in What Moroccan Cinema? will prove especially valuable to those in film and Middle Eastern studies.
Brousailles
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Photo de classe
Pièce de théâtre pour 16 * personnages (8h-8f) pouvant être joués par 10 personnages (6h-4f).
Théâtre
Une Chouette petite vie bien osée. Tansi. Sony Labou4070.
Directory of World Cinema: Africa
Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices. With a film industry divided by linguistic heritage, African directors do not have the luxury of producing comedies, thrillers, horror films, or even love stories, except perhaps as DVDs that do not travel far outside their country of production. Instead, African directors tend to cover serious sociopolitical ground, even under the cover of comedy, in the hopes of finding funds outside Africa. Contributors to this volume draw on filmic representations of the continent to consider the economic role of women, rural exodus, economic migration, refugees and diasporas, culture, religion and magic as well as representations of children, music, languages and symbols. A survey of national cinemas in one volume, Directory of World Cinema: Africa is a necessary addition to the bookshelf of any cinephile and world traveller.
Dictionary of African Filmmakers
Chiefly short biographies and filmographies.
La délibération
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