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Art for Wales
An invaluable reflection on the legacy of Derek Williams (1929-1984), a Cardiff surveyor whose generous bequest of his art collection and entire net estate coincided with a reappraisal of the role and workings of the National Museum of Wales and led to the formation of the Derek Williams Trust in 1992. Concise, insightful chapters by writer and curator David Moore examine the quality and variety of artworks assembled by Derek Williams or supported by the activity of the Trust over a period of over 25 years, ranging from painting to ceramics, photography and digital media. Illustrated with a wealth of artworks from the Trust s collection and related exhibitions.
John Brett
This is the first publication to examine the seascapes of John Brett (1831 - 1902), the Pre-Raphaelite artist who devoted his later years to touring and painting the British coastline. He had a particular fondness for Wales, where he owned property and was one of the earliest artists to respond to the more remote areas of North Pembrokeshire.
A Future for Fossils
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Child's-eye view of the Art Galleries, National Museums and Gallery Cardiff
Children's perceptions of a number of works in the collection of the National Museum of Wales.
Museums, Health and Well-Being
The role of museums in enhancing well-being and improving health through social intervention is one of the foremost topics of importance in the museums sector today. With an aging population and emerging policies on the social responsibilities of museums, the sector is facing an unprecedented challenge in how to develop services to meet the needs of its communities in a more holistic and inclusive way. This book sets the scene for the future of museums where the health and well-being of communities is top of the agenda. The authors draw together existing research and best practice in the area of museum interventions in health and social care and offer a detailed overview of the multifarious outcomes of such interactions, including benefits and challenges. This timely book will be essential reading for museum professionals, particularly those involved in access and education, students of museums and heritage studies, as well as practitioners of arts in health, art therapists, care and community workers.
Significance 2.0
"The way Australians think and live is captured in our collections. These collections reflect Australians’ lives in myriad areas at different times in our development—they provide insights into our unique national spirit and values, and contribute to our ability to solve new problems in distinctively Australian ways. Just as Australians are spread across a vast land, so our collections are distributed across the nation. Understandably, many different ways have been created to identify and care for our collections, in response to their type, location, or available resources. Whether located in the country or the city, significant collections occur throughout Australia—often in surprisin...
Catalogue of Seals in the National Museum of Wales
A comprehensive catalogue of all the seal dies, some 497 Welsh seals, and lead papal bullae in the National Museums & Galleries of Wales' collections.
Learning to Live
This collection of essays, authored by prominent and expert figures from the worlds of culture and education, addresses key questions about the role of museums and other institutes of material culture in young peopleU+0080U+0099s wellbeing and learning. Our aim in bringing their thinking together was to explore what museums, working with policymakers and delivery bodies such as schools, can and should be doing, both within and beyond the classroom, to inspire learning and creativity among all young people.
James Dickson Innes (1887-1914)
James Dickson Innes (1887-1914) was a Welsh painter who is best known for his Post-Impressionist landscape paintings of Wales. His burgeoning artistic career was tragically cut short by his death aged 27 from TB, but his output of paintings was nevertheless prolific. This is the first book to provide an overview of his art and life and is published to coincide with an exhibition at the National Museum Wales marking the centenary of his death.Innes was born in South Wales and studied at the Slade School of Fine Art, London, from 1905 to 1908, where he met fellow artist Derwent Lees. In 1907 he began a friendship with Augustus John, and with John and Lees Innes wandered over a remote and unfas...
