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Horizontes midiáticos: aspectos da comunicação na era digital
Nesta publicação, 18 autores expõem seus resultados e ampliam a discussão para os mais diversos aspectos da comunicação. Pesquisas em nível de especialização Lato Sensu, com diversas metodologias e abordagens. Olhares únicos, sim! Certeiros, também. As temáticas discutidas pelos autores partem de impressões do cotidiano. São trabalhos de fôlego de profissionais do mercado de comunicação, que refletem sobre os rumos do marketing, das novas tecnologias, das novas e velhas mídias, da educação, da vida.
Save the Pangolins
This beautifully designed Save The Pangolins notebook/journal is the perfect place to write down and take notes at school or when you are out and about., This Pangolin Animal Notebook is the great gift for animals activists, wildlife lovers.(6 x 9) 110 pages.
The Wrong Man
This Edgar Award finalist—one of Ann Rule’s top five true-crime picks—is a “gripping” definitive account of the Dr. Sam Sheppard murder case (The New York Times Book Review). “My God . . . I think they’ve killed Marilyn!” At 5:40 a.m. on July 4, 1954, the mayor of Bay Village, a small suburb of Cleveland, Ohio, received a frantic phone call from his neighbor Dr. Sam Sheppard. The news was too terrible to comprehend: Marilyn, Sam’s lovely wife, was dead, her face and torso beaten beyond recognition by an unknown assailant who had knocked Sam unconscious and escaped just before dawn. In the adjacent bedroom, Chip, the Sheppards’ seven-year-old son, had slept through the ent...
Teignmouth Electron
'Teignmouth Electron' deals with the tragic and extraordinary story of amateur yachtsman, Donald Crowhurst, who was one of eight competitiors in the 1968 Sunday Times Golden Globe Race, the first single-handed non-stop around the world yacht race.
W(est) B(ank)
What am I doing on the roof of my car, smashed on the platform from where 'it is sweet to stand and see, from the safe and distant shore, others in distress amidst billows and raging gales; not drawing delight from another's misfortune, but rejoicing over being spared such desperation*'? Doubtless as an artist, I am at war, too - Sophie Ristelhueber (*excerpt from Lucretius, De Rerum Natura, II, 1-4) In her intensely personal yet objectively restrained photographs, Sophie Ristelhueber embraces and records the scars of human existence. 'I have these obsessions that I do not completely understand, with the deep mark, with the ruptured surface, with scars and traces, traces that human beings are leaving on the earth', she says. She transcends the turmoil and specificity of a location and creates art without limits of time and identity through photographs that are haunting, provocative and telling. Ristelhueber's photographs only ever carry evidence of human activity, never images of people themselves: it is through the absence of life that she manages so profoundly to address life's fragile presence.
The Little Masters
None
Aesthetics and Its Discontents
Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed. But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise of a new revolution. Aesthetics is not a politics by accident but in essence. But this politics operates in the unresolved tension between two opposed forms of politics: the first consists in transforming art into forms of collective life, the second in preserving from all forms of militant or commercial compromise the autonomy that makes it a promise of emancipation. This constitutive tension sheds light on the paradoxes and transformations of critical art. It also makes it possible to understand why today's calls to free art from aesthetics are misguided and lead to a smothering of both aesthetics and politics in ethics.
