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Cree Narrative Memory
"The importance of storytelling to Cree culture, and how such stories are vital to understanding the history of the Cree and their rejuvenated future, are central to the themes examined in this visionary book. Neal McLeod examines the history of the nehiyawak (the Cree people) of western Canada from the massive upheavals of the 1870s and the reserve period to the vibrant cultural and political rebirth of contemporary times. Central to the text are the narratives of McLeod's family, which give first hand examples of the tenacity and resiliency of the human spirit while providing a rubric for reinterpreting the history of indigenous peoples, drawing on Cree worldviews and Cree narrative structures." "In a readable style augmented with extensive use of the Cree language throughout, McLeod draws heavily on original research, the methodology of which could serve as a template for those doing similar work. While the book is based on the Cree experience of the Canadian prairies, its message and methodology are applicable to all Indigenous societies."--BOOK JACKET.
100 Days of Cree
In 100 Days of Cree Neal McLeod offers a portal into another way of understanding the universe-and our place within it-while demonstrating why this funny, vibrant, and sometimes salacious language is "the sexiest" of them all (according to Tomson Highway).
Indigenous Poetics in Canada
Indigenous Poetics in Canada broadens the way in which Indigenous poetry is examined, studied, and discussed in Canada. Breaking from the parameters of traditional English literature studies, this volume embraces a wider sense of poetics, including Indigenous oralities, languages, and understandings of place. Featuring work by academics and poets, the book examines four elements of Indigenous poetics. First, it explores the poetics of memory: collective memory, the persistence of Indigenous poetic consciousness, and the relationships that enable the Indigenous storytelling process. The book then explores the poetics of performance: Indigenous poetics exist both in written form and in relation to an audience. Third, in an examination of the poetics of place and space, the book considers contemporary Indigenous poetry and classical Indigenous narratives. Finally, in a section on the poetics of medicine, contributors articulate the healing and restorative power of Indigenous poetry and narratives.
Reasoning Together
A paradigm shift in American Indian literary criticism.
Gabriel's Beach
Gabriel's Beach is Neal McLeod's second book with Hagios Press. In this new book he takes on the stories of his relations and ancestors including his Grandfather's harrowing war experiences. McLeod engages in history without losing himself in it, and brings forth the power of a human voice moving story toward myth. In these intuitive, confident, and powerful poems we learn of battles and of survival, and of the ultimate scars that history has served on aboriginal people in this part of North America. Here is a poet who is not only a witness to what his family has endured but he is an artist who shows us a way to connect these stories to our own lives.
Mitêwâcimowina
Many strange tales woven and crafted to keep the reader glued to the book until its final page. Featuring cover art by award-winning artist Steven Paul Judd and the talents of Kateri Akiwenzie-Damm, Cherie Dimaline, Jesse Archibald-Barber, Damon Badger Heit, Tania Carter, Trevor Greyeyes, Brian Hudson, Rebecca Lafond, Lee Maracle, Neal McLeod, Duncan Mercredi, Daniel David Moses, Eden Robinson, Cathy Smith, Bill Stevenson, Drew Hayden Taylor and Richard Van Camp.
Masculindians
What does it mean to be an Indigenous man today? Between October 2010 and May 2013, Sam McKegney conducted interviews with leading Indigenous artists, critics, activists, and elders on the subject of Indigenous manhood. In offices, kitchens, and coffee shops, and once in a car driving down the 401, McKegney and his participants tackled crucial questions about masculine self-worth and how to foster balanced and empowered gender relations. Masculindians captures twenty of these conversations in a volume that is intensely personal, yet speaks across generations, geography, and gender boundaries. As varied as their speakers, the discussions range from culture, history, and world view to gender theory, artistic representations, and activist interventions. They speak of possibility and strength, of beauty and vulnerability. They speak of sensuality, eroticism, and warriorhood, and of the corrosive influence of shame, racism, and violence. Firmly grounding Indigenous continuance in sacred landscapes, interpersonal reciprocity, and relations with other-than-human kin, these conversations honour and embolden the generative potential of healthy Indigenous masculinities.
Plain Speaking
This collection of essays is partly based on the proceedings of a two-day conference on the various types & levels of connections between First Nations & Metis peoples and the Canadian Plains. The essay themes are historic, social, political, and artistic and cover such subjects as: preservation of Aboriginal heritage; the agricultural production campaign of 1918-23; Cree-language place names; the challenges of modernity; Aboriginal healing; the Aboriginal writer; pictographs; Sheila Orr, Aboriginal artist; and reminiscences of elders.
That's Raven Talk
Annotation A reading strategy for orality in North American Indigenous literatures that is grounded in Indigenous linquistic traditions.
