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Family history and genealogical information about the descendants of Benjamin Register of Sampson Co., North Carolina through his son John Register. John Register was born ca. 1760 and married Dorcas Rowell 16 November 1781 in Duplin Co., North Carolina. They lived in Bulloch Co., Georgia and were the parents of seven children. Descendants lived in Georgia, Florida, North Carolina, South Carolina and elsewhere.
In the late 1990s, Vancouver's Downtown Eastside became the setting for three monuments � Crab Park Boulder, Marker of Change, and Standing with Courage, Strength and Pride. The monuments were grassroots initiatives that challenged the norms of civic art by claiming a place in public space for society's most vulnerable groups, and each figured in debates about many kinds of violence. Emphasizing the resilience and agency of artists, activists, and residents, this vivid account of the creation of memory-scapes offers unique insights into the links between power, public space, and social memory. It asks us to reconsider what constitutes public art that will "speak for a long time."
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In the resistance to the violence of gender-based oppression, vibrant – but often ignored – worlds have emerged, full of nuance, humour, and beauty. Correcting an absence of writing about contemporary feminist work by Canadian artists, Desire Change considers the resurgence of feminist art, thought, and practice in the past decade by examining artworks that respond to themes of diversity and desire. Essays by historians, artists, and curators present an overview of a range of artistic practices including performance, installation, video, textiles, and photography. Contributors address the desire for change through three central frames: how feminist art has significantly contributed to th...
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Samuel Cowan (parents unknown) was born about 1770 in the Carolinas. He married Sarah Margaret Keith (daughter of Nichodemus Keith and Margaret Borden) about 1800 in Tennessee. They had 8 children. Samuel died before 1837 in Tennessee or Mississippi. Sarah died in 1849 in Cookville, Titus County, Texas. Their descendants have lived in Tennessee, Texas, Arkansas, Mississippi, and other areas in the United States.
In Faking Death Penny Cousineau-Levine examines the work of over 120 Canadian photographers, revealing important aspects of Canadian identity and imagination. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and duality that also occurs in Canadian literature, film, and political life. Subverting the documentary tradition and other stylistic idioms for their own distinctive ends, Canadian photographers exhibit an ambivalent preoccupation with death and dying, bondage, and entrapment. Cousineau-Levine argues that this is characteristically a 'faked' death that expres...