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A long time ago a wise man named Shaddai built a wonderful village for children to live in. He talked to them and sang for them and told them stories. He gave them everything they needed. And with his own hands Shaddai built a protective wall around their village, rock by rock. He did all of this for just one reason—because he loved them. One day Paladin, the village's most curious child, discovers something troubling about the wall. Something that makes him wonder about Shaddai's love. Could there be a mistake? Young Paladin is about to discover the answer. And when he does, he will come to understand just how deeply he is loved. And so will you. Everything God does for your children, He ...
About love in recent times and mediated affective relationships. From chats and exchanged emails between Darkie and Leeloo, the reader is invited to access the intimacy of a relationship that starts with the aim to write a tale 4 hands, which has as method the experience lived between them. "December" is the second chapter of "No Words", a Brazilian fiction novel written by Larissa Mundim and Valentina Prado, translated into English by Mariana Dominguez.
About love in recent times and mediated affective relationships. From chats and exchanged emails between Darkie and Leeloo, the reader is invited to access the intimacy of a relationship that starts with the aim to write a tale 4 hands, which has as method the experience lived between them. "March" is the fifth chapter of "No Words", a Brazilian fiction novel written by Larissa Mundim and Valentina Prado, translated into English by Mariana Dominguez.
About love in recent times and mediated affective relationships. From chats and exchanged emails between Darkie and Leeloo, the reader is invited to access the intimacy of a relationship that starts with the aim to write a tale 4 hands, which has as method the experience lived between them. "November" is the first chapter of "No Words", a Brazilian fiction novel written by Larissa Mundim and Valentina Prado, translated into English by Mariana Dominguez.
Lucky Linderman didn't ask for his life. He didn't ask his grandfather not to come home from the Vietnam War. He didn't ask for a father who never got over it. He didn't ask for a mother who keeps pretending their dysfunctional family is fine. And he didn't ask to be the target of Nader McMillan's relentless bullying, which has finally gone too far. But Lucky has a secret--one that helps him wade through the daily mundane torture of his life. In his dreams, Lucky escapes to the war-ridden jungles of Laos--the prison his grandfather couldn't escape--where Lucky can be a real man, an adventurer, and a hero. It's dangerous and wild, and it's a place where his life just might be worth living. But how long can Lucky keep hiding in his dreams before reality forces its way inside? Michael L. Printz Honor recipient A.S. King's smart, funny and boldly original writing shines in this powerful novel about learning to cope with the shrapnel life throws at you and taking a stand against it.
About love in recent times and mediated affective relationships. From chats and exchanged emails between Darkie and Leeloo, the reader is invited to access the intimacy of a relationship that starts with the aim to write a tale 4 hands, which has as method the experience lived between them. "February" is the fourth chapter of "No Words", a Brazilian fiction novel written by Larissa Mundim and Valentina Prado, translated into English by Mariana Dominguez.
About love in recent times and mediated affective relationships. From chats and exchanged emails between Darkie and Leeloo, the reader is invited to access the intimacy of a relationship that starts with the aim to write a tale 4 hands, which has as method the experience lived between them. "January" is the third chapter of "No Words", a Brazilian fiction novel written by Larissa Mundim and Valentina Prado, translated into English by Mariana Dominguez.
Sobre o Amor no nosso tempo. Um recorte do meio, uma história sem fim. Segunda edição do livro escrito por Larissa Mundim e Valentina Prado, que tem como fio condutor o processo de criação de um conto intitulado Sem Palavras, escrito a quatro mãos, com proposta positivista: a experiência vivida como única verdade. Começa assim o envolvimento de Nega e Lilu. Uma relação intensa, urgente e fluida, que se desloca e transborda, revelando infinitude na efemeridade. Romance de ficção integralmente composto por e-mails e chats, como você nunca viu.
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This is a book about history, the media, and the history of the media.In four parts this book will go through how the past operates as an undercurrent in the present, analyze the operation of the media by specific case studies, outline a particular discipline; the history of the book, which provides a historical dimension to media studies, and lastly, to move outward from those considerations to a broad discussion of history itself and of history's neighbors within the human sciences.