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DISAPPEAR INTO NATURE WITH A LATTER-DAY THOREAU 'A beautiful, translucent portrayal of mid-Wales' Jay Griffiths 'Touching. Through Ansell's charming and thoroughly detailed stories of run-ins with red kites, curlews, sparrowhawks, jays and ravens, we see him lose himself . . . in the rhythms and rituals of life in the British wilderness' Financial Times 'Remarkable, fascinating' Time Out 'A gem of a book, an extraordinary tale. Ansell's rich prose will transport you to a real life Narnian world that CS Lewis would have envied. Find your deepest, most-comfortable armchair and get away from it all' Countryfile
From a 2018 Wainwright Prize shortlisted author, THE CIRCLING SKY is part childhood memoir, blended with exquisite nature observation, and the story of one man's journey over a year to one of the UK's key natural habitats, the New Forest of Hampshire In the form of several journeys, beginning in January 2019, Neil Ansell returns for solitary walks to the New Forest in Hampshire, close to where he was born. With beautiful sightings and observations of birds, trees, butterflies, insects and landscape, this is also a reflective memoir on childhood, on the history of one of the most ancient and important natural habitats in the United Kingdom, and on the Gypsies who lived there for centuries - and were subsequently expelled to neighbouring cities. It is also part polemic on our collective and individual responsibility for the land and world in which we live, and how we care for it. 'Neil Ansell is a wonderful guide... this is a delight of nature writing' Choice Magazine
At the beginning of the 1980s Neil Ansell lived in a series of squats and derelict buildings across London. Becoming part of a floating community of rough sleepers and volunteers, who found purpose in providing companionship and support for one another. But Britain was changing - this was the decade of the individual and soon we would be told that 'there was no such thing as society.' Out of his experiences Ansell has woven a beautifully told tale, interleaving the streets of the capital with journeys through the wilds of Jura (a Norse word for deer island), building a powerful and moving meditation on belonging.
Neil Ansell spent five years living between the back of beyond and the middle of nowhere, on his own, with no electricity, gas or water and effectively only the wildlife around him for company. His dilapidated cottage, rented for �100 per year, is so exposed to the elements that it appears to rain uphill, and so remote that you can walk for twenty miles west without seeing a single other dwelling. As the years pass he feels himself dissolving into, and becoming, just another part of the landscape.
Examining schools, libraries, prisons, asylums, and vaccines, this study is the first comprehensive look at the origins of public services.
Neil Ansell's THE LAST WILDERNESS is a mesmerising book on nature and solitude by a writer who has spent his lifetime taking solitary ventures into the wild. For any readers of the author's previous book, DEEP COUNTRY, Robert Macfarlane's THE OLD WAYS or William Atkins THE MOOR. Shortlisted for the 2018 Wainwright Golden Beer Book Prize Shortlisted for the 2018 Highland Book Prize 'Ansell has the rare skill of combining vividly the intimacy of detail and the astonishing grandeur of this North West coastline of Scotland. Through his keen eyes we look again at the familiar with a sense of wondrous revelation' Madeleine Bunting 'Beautiful...a testimony to reticent courage' Daily Mail The experience of being in nature alone is here set within the context of a series of walks that Neil Ansell takes into the most remote parts of Britain, the rough bounds in the Scottish Highlands. He illustrates the impact of being alone as part of nature, rather than outside it. As a counterpoint, Neil Ansell also writes of the changes in the landscape, and how his hearing loss affects his relationship with nature as the calls of the birds he knows so well become silent to him.
A gripping tale on the trail of a most mysterious and charismatic bird. The book traces Conor Jameson's travels in search of the Goshawk, a magnificent yet rarely seen (in Britain at least) raptor. Each episode of the narrative arises from personal experience, investigation, and the unearthing of information from research, exploration and conversations. The journey takes him from an encounter with a stuffed Goshawk in a glass case, through travels into supposed Goshawk territories in Britain, to Berlin - where he finds the bird at ease in the city. Why, he wants to know, is the bird so rarely seen in Britain? He explores the politics of birdwatching, the sport of falconry and the impact of persecution on the recent history of the bird in Britain and travels the length of Britain, through central Europe and the USA in search of answers to the goshawk mystery. Throughout his journey he is inspired by the writings of T H White who told of his attempts to tame a Goshawk in his much-loved book.
Not so long ago, our roads, buildings, gravestones and monuments were built from local rock, our cities were powered by coal from Welsh mines, and our lamps were lit with paraffin from Scottish shale. We live among the remnants of those times but for the most part our mines are gone, our buildings are no longer local, and the flow of stone travels east to west. Spurred on by the erasure of history and industry, Ted Nield journeyed across this buried landscape: from the small Welsh village where his mining ancestors were born and died, to Swansea, Aberdeen, East Lothian, Surrey and Dorset. Nield unearths the veins of coal, stone, oil, rock and clay that make up the country beneath our feet, exploring what the loss of kinship between past and present means for Britain and the rest of the world today.
On the Moor shows how a routine walk in the countryside is enhanced by an appreciation of science, history, and natural history. To the uninitiated, the Moor above Hebden Bridge in the West Yorkshire Pennines might seem little more than acre upon acre of heather and the occasional red grouse. But Richard Carter's excursions on to his local patch lead him to examine such diverse topics as: Charles Darwin's weird experiments and ailments; the 17th-century skeptic Sir Thomas Browne; Celtic languages; Bronze Age burials; evolution's kludgy compromises; bird migration; DNA barcoding; skull anatomy; where Earth got its water; the mapping of Great Britain; grouse disease; Scott of the Antarctic; how to define a species; Ted Hughes and Sylvia Plath; the Bront�s; the Laws of Thermodynamics; why the sky is blue (and sunsets red); the Greenhouse Effect; the songs of skylarks; snipe courtship; vapour trails; rooks' faces; the best way to cook a wheatear. (Oh, and there's even a plane crash!)
"In this memoir of motherhood, love, and resilience, a woman and her toddler son follow the grey whale migration from Mexico to northernmost Alaska. In this striking blend of nature writing, whale science, and memoir, Doreen Cunningham interweaves two stories: tracking the extraordinary northward migration of the grey whales with a mischievous toddler in tow and living with an Iñupiaq family in Alaska seven years earlier. Throughout the journey she explores the stories of the whales and their young calves-their history, their habits, and their attempts to survive the changes humans have brought to the ocean. Cunningham's voice is powerful: sharp, profound, sensitive, and unflinching. A stor...