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The Muscle
Neil Cummins grew up in Liverpool, England in an environment of hard knocks, bikies and the underworld surrounding his fathers businesses as a nightclub owner.Neil Cummins grew up in Liverpool, England in an environment of hard knocks, bikies and the underworld surrounding his fathers businesses as a nightclub owner. There came a time when Neil who adored his father started to realise the shady and seedy world of nightclubs and the business associates he looked up to as child were some of the worst and most dangerous criminals in the UK and some involved in drug importing, bikie gangs, robberies, murder and other major crimes . This story follows a young adult man of 19 who moves to Australi...
Lost Property
None
Lapdogs of the Bourgeoisie
Lapdogs of the Bourgeoisie investigates the latent issue of class underlying the field of contemporary visual art. On the one hand, it raises the question of whether a given socioeconomic background still helps define your artistic career--and to which point the said career might reflect or consolidate the hierarchies in question. On the other hand, the project asks whether the traditional analytical tools at our disposal are helpful in such an examination of the art world today. Class inevitably raises awkward questions regarding the very participants, their backgrounds, patrons, and ideological partialities. This is perhaps the reason why the role of class structure has been so easily over...
The Value of Things
"The Value of Things demonstrates that the collection and exchange of objects plays a vital role in our definition of cultural value. It argues that there is a powerful web of links between the department store and the museum, which will continue to reflect - and change - the status of the things we make. An investigation which touches on issues central to art, consumerism and design, The Value of Things asks important questions about our understanding of material culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Specialism
It is widely assumed that everyone is "interdisciplinary" nowadays, that everyone works at the intersections of conventional disciplines. But if being flexible, multiskilled and polymathic are the prerequisites of survival in today's world, why do educators and art marketeers tend to maintain conditions that advocate and encourage specialist outcomes? The aim of this new anthology in the Occasional Table series is to critically reflect upon the role of specialism in art and society. Why do some seek to transcend the parameters of specialization, and others maintain that deep levels of achievement can only be attained with highly focused methods and forms? Edited by David Blamey, Specialism includes texts by Matthew Cornford, Neil Cummings, Dan Fox, Anouchka Grose, Mingyuan Hu, Stephen Knott, Frances Loeffler, Nina Power, Rick Poynor, Alistair Rider, Andrew Robinson, Irit Rogoff and Ruth Sonderegger, Chris Watson, Jon Wozencroft and Ian Whittlesea.
The Ecstasy of Things
The twentieth century was--among all else--a century of things. From the handmade object to the mass produced, these things that once served a purpose soon became harbingers of beauty, modernity and innovation. Beyond the material, these objects have stimulated fantasies that convey an image about a time and a place, so that now even an everyday telephone or radio that has long been discontinued can experience a rebirth as a cult object only to be purchased for lofty sums of money at an auction. "The Ecstasy of Things" illustrates how product photography reflects the world of things as captured in varying lights for designers, manufacturers and advertising agencies. Collected here are nearly...
Self Portrait
Over the course of 2011, Arnol
Grasping the World
First published in 2004, this volume recognises that there is much more to museums than the documenting, monumentalizing, or theme-parking of identity, history and heritage. This landmark anthology aims to make strange the very existence of museums and to plot a critical, historical and ethical understanding of their origins and history. A radical selection of key texts introduces the reader to the intense investigation of the modern European idea of the museum that has taken place over the last fifty years. Texts first published in journals and books are brought together in one volume with up-to-the-minute and specially commissioned pieces by leading administrators, curators and art historians. The selections are organized by key themes that map the evolution of the debate and introduced by Donald Preziosi and Claire Farago, two considerable critics, who write with the edge and enthusiasm of art historians who have spent their lives working with museums. Grasping the World is an invaluable resource for students and teachers of art history and museum studies.
Joy Forever
The title Joy Forever refers to the false promise of a common happiness, constantly played out by the proponents of the creative class and creative economy the very promise that since Romanticism has been ascribed to art itself, a vow which remains unfulfilled. The aim of F/SUW s publication is to scrutinize the false promises of distributed creativity as an ideology of cognitive capitalism. The authors devote themselves to critical examination of the structural links between art, creativity, labour and the creation of value under contemporary relations of production. Some of them do not stop at a critical diagnosis but go further, reflecting upon potential alternatives to the status quo.
