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Neil LaBute: A Casebook is the first book to examine one of the most successful and controversial contemporary American playwrights and filmmakers. While he is most famous, and in some cases infamous, for his early films In the Company of Men and Your Friends and Neighbors, Labute is equally accomplished as a playwright. His work extends from the critique of false religiosity in Bash to examinations of opportunism, irresponsible art, failed parenting, and racism in later plays like Mercy Seat, The Shape of Things, The Distance From Here, Fat Pig, Autobahn, and the very recent This Is How It Goes and Some Girls. Like David Mamet, an acknowledged influence on him, and Conor McPhereson, with wh...
Bash Three darkly brilliant one-act plays, unblinking portraits of the evils abroad in everyday life, first performed in 1999. Reasons to be Pretty Nominated for the Tony Award for Best Play. 'Neil LaBute at his best. It says things about love and betrayal that are rarely put on stage . . . The play has the transfixing nastiness that has made LaBute one of the most disturbing theatrical presences of the last decade. Yet it also has an unexpected ingredient: a beating heart.' Observer Now collected with its sequel - Reasons to be Happy 'A richly entertaining shard of tragicomedy.' Daily Telegraph
The first full-length study of the work of the American playwright and director Neil LaBute.
Neil LaBute: A Casebook is the first book to examine one of the most successful and controversial contemporary American playwrights and filmmakers. While he is most famous, and in some cases infamous, for his early films In the Company of Men and Your Friends and Neighbors, Labute is equally accomplished as a playwright. His work extends from the critique of false religiosity in Bash to examinations of opportunism, irresponsible art, failed parenting, and racism in later plays like Mercy Seat, The Shape of Things, The Distance From Here, Fat Pig, Autobahn, and the very recent This Is How It Goes and Some Girls. Like David Mamet, an acknowledged influence on him, and Conor McPhereson, with wh...
'LaBute takes us to shadowy places we don't like to talk about, sometimes even to think about.' NewsdayObsession with surface and secrets runs through this second collection of Neil LaBute's work. The Shape of Things peels back the skin of modern-day relationships to ask how far someone might change themselves for love, or for art. In Fat Pig, a man confronts his friends' - and his own - fixation with Hollywood ideals of beauty when he falls for a 'plus size' young woman. In a Dark Dark House and In a Forest, Dark and Deep are twin tales of sibling conflict. In the first, estranged brothers must reconcile conflicting memories, after one asks for corroboration of childhood abuse. In the secon...
Filthy Talk for Troubled Time is one of LaBute's earliest plays. A downbeat night at a topless bar exposes the gulf between the twitchy clientele and the waitresses who serve but despise them. The Mercy Seat examines a couple who, on the day after a world-changing atrocity, toy with exploiting it to start a new life. Some Girl(s) follows a young writer's panicked retreat from his imminent wedding as he seeks out old girlfriends and opens new wounds, while in This Is How It Goes the breakdown of a seemingly successful marriage is complicated by submerged bigotry. The collection also includes two short plays about relationships in crisis - A Second of Pleasure and Helter Skelter - which are in equal part tender and chilling. Together these plays form a complex and compelling portrait of the sexes - sometimes warring, sometimes loving, but never fully at peace.
Meet Beth and Doug, two people who have no problems getting dates with their partners of choice. After a drunken party and a hot night, they wake up to a blurry morning where the rules of attraction, sex, and society are waiting for them before their first cup of coffee. It’s very awkward—and it also leads the pair to ponder how much they really know about each other, and how much they really care about what other people think. THE WAY WE GET BY is a play about love and lust and the whole damn thing.
Reasons to Be Happy features the same four characters--Greg, Steph, Carly, and Kent--picking up their lives three years later, but in different romantic pairings as they each search desperately for that elusive object of desire: happiness. New York City's MCC Theater will produce the world premiere in May 2013.
What if God told you to be a better person but the world wouldn’t allow it? Such is the dilemma facing Joe Smith, a run-of-the-mill white-collar businessman who survives an office shooting and is subsequently touched by what he believes to be a divine vision. His journey toward personal enlightenment—past greed and lust and the other deadly sins—is, by turns, tense, hilarious, profane, and heartbreaking. Exploring the narrow path to spiritual fulfillment and how strewn it is with the funny, frantic failings of humankind, The Break of Noon showcases Neil LaBute at his discomfiting best.