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Neil Josten is the newest addition to the Palmetto State University Exy team. He's short, he's fast, he's got a ton of potential - and he's the runaway son of the murderous crime lord known as The Butcher.Signing a contract with the PSU Foxes is the last thing a guy like Neil should do. The team is high profile and he doesn't need sports crews broadcasting pictures of his face around the nation. His lies will hold up only so long under this kind of scrutiny and the truth will get him killed.But Neil's not the only one with secrets on the team. One of Neil's new teammates is a friend from his old life, and Neil can't walk away from him a second time. Neil has survived the last eight years by running. Maybe he's finally found someone and something worth fighting for.
The year is 2702. Charlotte Blacksand, a witty sixteen-year-old government orphan, escapes from Earth to start a new life in the domed cities of Tylius. At first, it appears that Charlotte is getting the freedom she has always wanted, but when she finds herself in the midst of a mission and entangled in the secretive work of a young inventor, things get a little more complicated. Faced with people tracking her down, new concepts of friendship, and a journey to find the history her eye color holds, Charlotte must know the lengths she is willing to go to protect the true planet she calls home.
The Foxes are a fractured mess, but their latest disaster might be the miracle they've always needed to come together as a team. The one person standing in their way is Andrew, and the only one who can break through his personal barriers is Neil.Except Andrew doesn't give up anything for free and Neil is terrible at trusting anyone but himself. The two don't have much time to come to terms with their situation before outside forces start tearing them apart. Riko is intent on destroying Neil's fragile new life, and the Foxes have just become collateral damage.Neil's days are numbered, but he's learning the hard way to go down fighting for what he believes in, and Neil believes in Andrew even if Andrew won't believe in himself.
In this radical twenty-first century choreopoem, Dorian, a youngAmerican Black man, is tasked by an ancestral spirit to thwart hisinevitable murder. He traces his family tree, from his grandmother tohis offspring, uncovering secrets of sex work, self-harm, and assaultalongside snapshots of #BlackBoyJoy. Guided by The Novelist, anomniscient muse, and her troupe of dancers, Dorian must interrogatehis legacy, forgive his past, and reckon with being Black in modernAmerica. He tries on different selves and possible futures in his increasingdesperation to experience the luxury of growing old and finding solacedespite institutional racism declaring him a threat. Through the poetry,dance, and song of Roadmap, will Dorian overcome the odds or becomeanother hashtag?
One look and he knew it was a long shot. Ryan King is a movie star with a secret. Women fall at his feet for a chance, but that’s never been what he wanted. Broken hearted after helping his closest friend claim the love of his life, Ryan is searching for a distraction. One who can keep his secret. Shannon O’Neil’s life has changed drastically in the last few years. He served as a Navy SEAL to escape his father’s scrutiny, but an injury forced him to reevaluate his choices. Now he runs a successful security firm. One that recently took a consulting job to train a group of actors for an upcoming movie. The attraction is immediate but long distance relationships have never worked for either. Still, they want to try. Navigating through their own family drama, and Ryan’s shooting schedule may prove too much of a burden. This is a gay romance and will contain explicit sexual content between two men.
Three decades of research into retailing in England from the seventeenth to nineteenth centuries has established a seemingly clear narrative: fixed shops were widespread from an early date; 'modern' methods of retailing were common from at least the early eighteenth century; shopping was a skilled activity throughout the period; and consumers were increasingly part of - and aware of being part of - a polite and fashionable culture. All of this is true, but is it the only narrative? Research has shown that markets were still important well into the nineteenth century and small scale producer-retailers co-existed with modern warehouses. Many shops were not smart. The development of modern reta...
Whilst there has been much recent scholarly work on retailing during the early modern period, less is known about how people at the time perceived retailing, both as onlookers, artists and commentators, and as participants. Centred on the general theme of perceptions, the authors address this gap in our knowledge by looking at a different aspect of consumption. They focus on two ancillary themes: the first is location and how contemporaries perceived the settlements in which there were shops; the other is distance. Pictures, prints, novels, diaries and promotional literature of the tradespeople themselves provide much of the evidence. Many of these sources are not new to historians, but they...
Popular English travel guides from the sixteenth and seventeenth centuries asserted that women who wandered too far afield were invariably suspicious, dishonest, and unchaste. As the essays in Travel and Travail reveal, however, early modern women did travel, often quite extensively, with no diminution of their moral fiber. Female travelers were also frequently represented on the English stage and in other creative works, both as a reproach to the ban on female travel and as a reflection of historical women's travel, whether intentional or not. Travel and Travail conclusively refutes the notion of female travel in the early modern era as "an absent presence." The first part of the volume offers analyses of female travelers (often recently widowed or accompanied by their husbands), the practicalities of female travel, and how women were thought to experience foreign places. The second part turns to literature, including discussions of roving women in Shakespeare, Margaret Cavendish, and Thomas Heywood. Whether historical actors or fictional characters, women figured in the wider world of the global Renaissance, not simply in the hearth and home.
The history of early America cannot be told without considering unfree labor. At the center of this history are African and Native American adults forced into slavery; the children born to these unfree persons usually inherited their parents' status. Immigrant indentured servants, many of whom were young people, are widely recognized as part of early American society. Less familiar is the idea of free children being taken from the homes where they were born and put into bondage. As Children Bound to Labor makes clear, pauper apprenticeship was an important source of labor in early America. The economic, social, and political development of the colonies and then the states cannot be told prop...
This book reveals the close connections between education and the stage in early modern England by looking at the child.