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Love and Remembrance
Jorge Manrique was the greatest poet of fifteenth-century Castile and one of the three or four greatest in Spanish literature. Frank A. Domínguez offers here an introduction to Manrique's poetry and the first book-length study of him in English in fifty years. After presenting the biographical and historical context of Manrique's poetry, Domínguez examines the poet's love lyrics, describing the large fund of commonplaces and forms that Manrique's verses share with those of other poets of his age. Manrique's highly stylized language and parallel verse structures express the obsession of the lover with the beloved. Moreover, his attention to parallel construe the world's greatest. In treatin...
Allegories of Kingship
This study examines issues in politics and political theory in selected works of Pedro Calder&ón de la Barca (1600&–1681), the major dramatist of the middle and later decades of the seventeenth century in Spain. By analyzing secular dramas (comedias) and religious plays (autos sacramentales), Stephen Rupp demonstrates Calder&ón's awareness of the ideas and institutions of power in Hapsburg Spain and explores the terms of his intervention in the long debate over the principles of Christian statecraft. Through references to Rivadeneira, Saavedra Fajardo, and Quevedo, Rupp describes the anti-Machiavellian theory of kingship that informs Calder&ón's political theater. Rupp's argument procee...
The Tragic Fall
Volume 197 in the North Carolina Studies in the Romance Languages and Literatures series.
Jorge Manrique's Coplas Por la Muerte de Su Padre
An elegy composed on the death of his father, Jorge Manrique's 'Coplas' has occupied a prominent position in the literature of Spain from its original composition in the 15th century to the present day. The author of this book examines its sources, structure, transmission, critical reception and fame throughout the centuries.
Richelieu and Olivares
Cardinal Richelieu is one of the best known and most studied statesmen in European history; his Spanish contemporary and rival, the Count-Duke of Olivares, one of the least known. The contrasting historical fortunes of the two men reflect the outcome of the great struggle in seventeenth-century Europe between France and Spain: the triumph of France assured the fame of Richelieu, while Spain's failure condemned Olivares to historical neglect. This fascinating book by the distinguished historian J. H. Elliott argues that contemporaries, for whom Olivares was at least as important as Richelieu, shared none of posterity's certainty about the inevitability of that outcome. His absorbing comparative portrait of the two men, as personalities and as statesmen, through their policies and their mutual struggle, offers unique insights into seventeenth-century Europe and the nature of power and statesmanship.
The Count-Duke of Olivares
Traces the life of King Philip IV's principal minister, describes the Count-Duke's efforts to stop Spain's decline, and looks at seventeenth century European politics
Spanish Dramatists of the Golden Age
The Golden Age of Spanish drama extends from the close of the 15th century to the death of Calderón in 1681. During that time, the humanists, as dramatists, followed Italy's artistic awakening direction, and imitated Classical drama. With originality and dreams of greatness, they subverted the nature of tragedy; modified the approach of Comedy and invented the New Play, the Comedia Nueva. In it the poet-dramatists introduced important modificaitons of realism, included imagined reality, Christian symbolism and theatricality, as artistic truth. They elaborate all kinds of syntheses. For this reason, the Spanish Golden Age theater can be viewed as part of a tradition that includes the Greco-R...
