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Postwar Modern
This landmark volume offers a major re-assessment of the art that emerged in Britain in the twenty years following the end of the Second World War: a period of anxiety, profound social change and explosive creativity. Published to coincide with the Barbican Centre’s 40th anniversary, it draws together the work of fifty artists, exploring a period straddled precariously between the horror of the past and the promise of the future. Spanning painting, sculpture, architecture, ceramics and photography, Postwar Modern will explore a rich field of experiment which challenges the idea that Britain was a cultural backwater at this time. Through new texts by Jane Alison, Hilary Floe, Ben Highmore, ...
Out of The Sun
History is a construction. What happens when we bring stories consigned to the margins up to the light? How does that complicate our certainties about who we are, as individuals, as nations, as human beings? As in her fiction, the essays in Out of the Sun demonstrate Esi Edugyan's commitment to seeking out the stories of Black lives that history has failed to record. In five wide-ranging essays, written with the rise of the Black Lives Matter movement in the background, Edugyan reflects on her own identity and experiences. She delves into the history of Western Art and the truths about Black lives that it fails to reveal, and the ways contemporary Black artists are reclaiming and reimagining those lives. She explores and celebrates the legacy of Afrofuturism, the complex and problematic practice of racial passing, the place of ghosts and haunting in the imagination, and the fascinating relationship between Africa and Asia dating back to the 6th Century. With calm, piercing intelligence, Edugyan asks difficult questions about how we reckon with the past and imagine the future.
British Art Show 9
An unrivaled survey of contemporary art from the UK Taking place every five years, the British Art Showis the largest touring exhibition of contemporary art in the UK. This catalog features artworks from its ninth edition, by artists including Hurvin Anderson, Michael Armitage, Simeon Barclay, Heather Phillipson and Alberta Whittle.
The New Art Gallery Walsall
A run-down town in England's Black Country is the site of a building designed by the architectural practice of Caruso St John. This volume includes documentation of the art projects that accompanied the building and tells the story of the struggle to fund a world-class work of architecture.
Holding the Baby
Overworked, under-appreciated and often vilified: it's hard being a lone parent in a society still geared to the two-parent family. And yet one in four families are single parents households. Around 90% are headed up by a single mother. In the summer of 2019, Polly Braden, a single parent herself, started to document the day-to-day reality of what it means to be a single parent in the UK.
Cult Fiction
Published to accompany the Hayward Gallery Touring Exhibition, held at New Art Gallery, Wallsall, 4 May - 1 July 2007, Nottingham Castle, 14 July - 16 September 2007, Leeds City Art Gallery, 21 September - 11 November 2007, Aberystwyth Art Gallery, 17 November 2007 - 13 January 2008 and Tullie House, Carlisle, 19 January - 16 March 2008.
Andy Warhol: Liz
Andy Warhol’s iconic portraits of Elizabeth Taylor are images that have lost none of their explosive power in the decades that separate the present from the moment of their making. Frequently hailed as the greatest movie star of all time, Elizabeth Taylor was a friend of Andy Warhol in the 1970s and 1980s. The personification of charisma, whose highly public life was charged with drama, tragedy, and romance, this iconic muse was a perfect vehicle for Warhol’s vivid silk-screen portraiture derived from press clippings, publicity shots, and film stills. Warhol made over fifty portraits of Taylor in all her incarnations—from the ethereally beautiful child actress in National Velvet to the commanding, voluptuous screen goddess of Cleopatra. Andy Warhol: Liz sheds light on the relationship between Warhol and one of his most notorious muses.
Japan
Japan: Courts and Culture tells the story of three centuries of British royal contact with Japan, from 1603 to c.1937, when the exchange of exquisite works of art was central to both diplomatic relations and cultural communication. With discussions of courtly rituals, trade relationships, treaties, and other matters of concern between the two nations, this book provides important historical and political context in addition to granting a new look at the works of art in question. Featuring new research on previously unpublished works, including porcelain, lacquer, armor, embroidery, metalwork, and works on paper, this book showcases the unparalleled craftsmanship of these objects, and the local materials, techniques, and traditions behind them. Japan: Courts and Culture is published to accompany a spectacular exhibition of the same name, which opens at The Queen's Gallery, Buckingham Palace, in June 2020. The book's stunning photography, contextual essays, and historical insights offer a highly visual record of a royal narrative and history that has not yet been widely documented.
New Art Gallery, Walsall
The New Art Gallery Walsall is perhaps the most successful of the many art-oriented projects funded by the Millennium Fund. A rundown post-industrial town in England's Midlands is the site of a quite fantastic building: a massive terracotta and steel clad structure, enigmatic and subtle, within which is a complex series of galleries and rooms, ranging in scale from the domestic to the stately, part of which houses a remarkable art collection, the work of Jacob Epstein's wife and an American sculptor friend. The gallery itself is the result of a long and arduous campaign orchestrated by its director, Peter Jenkinson, raising funds and motivating a large team of people to realise this extraord...
Encounters
To celebrate the millennium, the National Gallery, London, has commissioned twenty-five of the world’s leading contemporary artists to create an entirely new work in response to the Gallery’s collection of the greatest European painters of the past. These new works - paintings, drawings, sculpture, photographs, and video - are presented here alongside the paintings that inspired them. Substantial essays on each modern artist, based on in-depth interviews as their works took shape, offer a vivid and privileged understanding of the origin and meaning of the new work, describing how it was made and its relation to other works by the same artist, and the influence, direct or indirect, of the National Gallery’s collection.
