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WINNER OF THE BOOKER PRIZE WINNER OF 'BOOK OF THE YEAR' AND 'DEBUT OF THE YEAR' AT THE BRITISH BOOK AWARDS THE MILLION-COPY BESTSELLER 'An amazingly intimate, compassionate, gripping portrait of addiction, courage and love.' – The judges of the Booker Prize 'Douglas Stuart has written a first novel of rare and lasting beauty.' – The Observer 'Shuggie Bain means so much to me. It is such a powerfully written story . . . I love a heartbreak book but there is so much love within this one, particularly between Shuggie and his mother Agnes.' – Dua Lipa It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life, dreaming of greater thi...
Dark, disturbing and deliciously twisty, Reptile Memoirs is a biting and brilliant exploration of the cold-bloodedness of humanity - perfect for fans of Gillian Flynn, Jo Nesbø and Tana French. What readers are saying about Reptile Memoirs 'Truly unusual and terrifying' 'Dark, heart-wrenching and creepy' 'Graphic' 'Dark, challenging and unforgettable' 'Chilling' 'Not for the faint hearted' 'Unique, dark and disturbing, gripping and very, very clever' Liv has a lot of secrets. Late one night, in the aftermath of a party in the apartment she shares with two friends in Ålesund, she sees a python on a TV nature show and becomes obsessed with the idea of buying a snake as a pet. Soon Nero, a ba...
'WHATEVER YOU DO hang on to the phone. . . . . . . . ! . . . . . . . . ! Feel the smoothness of its bevelled screen . . . . . . . . ! . . . . . . . . ! Place your thumb in the soft depression of its belly-button - turn it over and over. . . . . . . . ! . . . . . . . . ! A five hundred-quid worry bead - and all I worry about is losing the bloody thing. . . . . . . . ! . . . . . . . . !' For the four characters at the heart of Will Self's brilliantly acute novel of our times the five hundred-quid worry bead in their pocket may be both a blessing and a curse. For elderly Dr Zachary Busner it is a mysterious object - 'NO CALLER ID - How should this be interpreted? Is it that the caller is devoid...
** A Book of the Year in The Times - The New Statesman - Observer - Financial Times - Irish Times - Irish Independent - Times Literary Supplement ** WINNER OF THE ORWELL PRIZE AND THE KERRY GROUP IRISH NOVEL OF THE YEAR AWARD SHORTLISTED FOR THE RATHBONES FOLIO PRIZE AND THE IRISH NOVEL OF THE YEAR AT THE DALKEY LITERARY AWARDS 'Exquisite.' Damon Galgut 'Masterly.' The Times 'Miraculous.' Herald 'Astonishing.' Colm Tóibín 'Stunning.' Sunday Independent 'Absolutely beautiful.' Douglas Stuart It is 1985, in an Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal and timber merchant, faces into his busiest season. As he does the rounds, he feels the past rising up to meet him - and encounters the complicit silences of a people controlled by the Church.
Miller’s groundbreaking first novel, banned in Britain for almost thirty years.
'Joins the dots in a neglected narrative of female scientists, visionaries and code-breakers' Observer How is artificial intelligence changing the way we live and love? This is the eye-opening new book from Sunday Times bestselling author Jeanette Winterson. Drawing on her years of thinking and reading about AI, Jeanette Winterson looks to history, religion, myth, literature, politics and, of course, computer science to help us understand the radical changes to the way we live and love that are happening now. With wit, compassion and curiosity, Winterson tackles AI's most interesting talking points - from the weirdness of backing up your brain and the connections between humans and non-human helpers to whether it's time to leave planet Earth. * With a new chapter by the author * 'Very funny... A kind of comparative mythology, where the hype and ideology of cutting-edge tech is read through the lens of far older stories' Spectator 'Refreshingly optimistic' Guardian A 'Books of 2021' Pick in the Guardian, Financial Times, Daily Telegraph and Evening Standard
Finalist for the Lambda Literary Award, 2019 New Statesman's best books of the year, 2018 This new book of poems and essays by Eileen Myles finds our game-changing writer keying lines in the euphoric style that the New York Times has called 'one of the essential voices in American poetry.' Following the critically claimed Afterglow (a dog memoir) and I Must Be Living Twice, their career-spanning selected poems, Evolution is Myles' first all-new poetry collection since 2011's Snowflake/different streets. These new poems upend genre in a vernacular that enacts, like nothing else, the way we speak (inside and out today). From walking around Marfa and New York City with an orange pit bull to Eileen's transcendent acceptance speech as President, Evolution lifts a can of Diet Coke as an End-of-the-World toast to embodiment, irreverence and risk.
As a psychiatrist, Dr. Berne found that each person, in early childhood--under the powerful influence of his parents--writes his own script that will determine the general course of his life. That script dictates what kind of person he will marry, how many children he will have, even what kind of bed he will die in. Most of all, it determines whether he will be a winner or a loser, a spendthrift or a skinflint, a tower of strength or a doomed alcoholic. Some people, says Berne, have scripts that call for them to fail in their professions, or to be repeatedly disappointed in love, or to be chronic invalids. Here, he demonstrates how each life script gets written, how it works, and how each of us can break free of it to help us attain real autonomy and true fulfillment.
Responsible for such landmark publications as Lady Chatterley's Lover, Tropic of Cancer, Naked Lunch, Waiting for Godot,The Wretched of the Earth , and The Autobiography of Malcolm X, Grove Press was the most innovative publisher of the postwar era. Counterculture Colophon tells the story of how the press and its house journal, The Evergreen Review, revolutionized the publishing industry and radicalized the reading habits of the "paperback generation." In the process, it offers a new window onto the 1960s, from 1951, when Barney Rosset purchased the fledgling press for $3,000, to 1970, when the multimedia corporation into which he had built the company was crippled by a strike and feminist t...