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[Steinbecks Typewriter: Essays on His Art] collects several of DeMotts finest essays on Steinbeck... [that are] so carefully revised as to warn other critics seeking their own collected essay volume of the difference between a genuinely lapidary compilation and a kitchen midden. Illustrated with some rare photos, this collection is especially notable... John Ditsky, Choice ...Steinbecks Typewriter... stands as the most in-depth treatment of Steinbecks aesthetics, particularly in its exploration of the authors interior spaces and creative habits, elements of Steinbecks artistry which have not only been underestimated but woefully ignored. Stephen George, Steinbeck Review
Stefan Zweig (1881–1942) was a poet, novelist, and dramatist, but it was his biographies that expressed his full genius, recreating for his international audience the Elizabethan age, the French Revolution, the great days of voyages and discoveries. In this autobiography he holds the mirror up to his own age, telling the story of a generation that "was loaded down with a burden of fate as was hardly any other in the course of history." Zweig attracted to himself the best minds and loftiest souls of his era: Freud, Yeats, Borgese, Pirandello, Gorky, Ravel, Joyce, Toscanini, Jane Addams, Anatole France, and Romain Rolland are but a few of the friends he writes about.
A monograph analysing the symbolic role played by contemporary fiction in the break-up of political and cultural consensus in British public life.
The first and only book to describe the seven secretive families and five far-flung companies that control the world's food supplies. Little has changed their central role since Morgan's best-selling book first appeared in 1979.
When in 1901 Alfred Nobel bequeathed to the world the funds to support the Nobel Prize, one of his few directives for the category of literature was that the artists selected be of "idealistic tendency." Since its inception, the prize has given a very public voice to some of the world's greatest writers, and their responses to the honor-their acceptance speeches-have themselves often been epochal within each author's body of literature. From the famed call to "arms" by William Faulkner to the multicultural song of Derek Walcott, from 1903's Bjørnstjerne Bjørnson to 1999's Günter Grass, this collection traces the ideals of the artists and the selection committee itself throughout the entir...
Study on female characters in the plays of Arthur Miller, 1915-2005, American playwright.
Moses Herzog, personajul central din romanul lui Saul Bellow, este un om suferind, un glumeț, un seducător. Deși constată că întreaga sa viață se dezintegrează – este un scriitor, profesor și tată ratat, părăsit de soție și trădat de cel mai bun prieten –, Herzog se consideră un supraviețuitor atât al dezastrelor personale, cât și al epocii în care trăiește. Concepe scrisori – pe care însă nu le trimite niciodată – către prieteni și dusmani, către colegi si personalități ale vremii, comunicându-le părerea lui despre lume și dezvăluindu-le cele mai intime secrete ale vieții sale. Roman distins cu NATIONAL BOOK AWARD O capodoperă! Vocea lui Herzog, furioasă, stranie și absurdă, este vocea civilizației noastre. The New York Times Book Review O carte spectaculoasă... cu siguranță cel mai bun roman al lui Bellow. Malcolm Bradbury
The author explores the ways in which games can be used to instruct and inform as well as provide pleasure. He uses innovative approaches to problem solving through individualized game techniques.