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Ourselves in Primetime
The first study of New Zealands homegrown television drama, covering its development in all genres from 1960 to the present day and treating landmark programmes in detail. Dunleavy addresses the difficulties, practical, creative, economic and political, that have faced the production of TV drama in a small country, revealing how policy toward local content was part of a wider picture. She believes that it is only through telling their own stories that people can know themselves and shows how TV drama has reflected changes in ideas about cultural identity and contemporary society.
New Zealand Drama
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Aotearoa New Zealand in the Global Theatre Marketplace
Aotearoa New Zealand in the Global Theatre Marketplace offers a case study of how the theatre of Aotearoa has toured, represented and marketed itself on the global stage. How has New Zealand work attempted to stand out, differentiate itself, and get seen by audiences internationally? This book examines the journeys of a dynamic range of culturally and theatrically innovative works created by Aotearoa New Zealand theatre makers that have toured and been performed across time, place and theatrical space: from Moana Oceania to the Edinburgh Festival Fringe, from a Māori Shakespeare adaptation to an immersive zombie theatre experience. Drawing on postcolonialism, transnationalism, cosmopolitani...
New Zealand Drama
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New Zealand Drama
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Television in New Zealand
Introductory text aimed at undergraduate students in television, media and film with an overview of the state of New Zealand television in an international context.
Performing Aotearoa
"This ... volume comprises a wide range of chapters focusing on key figures in the development of New Zealand theatre and drama, such as, among others, Robert Lord, Ken Duncum, Gary Henderson, Stephen Sinclair, Hone Kouka, Briar-Grace Smith, Jacob Rajan, Lynda Chanwai-Earle, Nathaniel Lees, and Victor Rodger."--Publisher description.
Transitions
Includes bibliographical references ( p. 382-394) and index.
