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It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.
This highly original book draws on narrative and film theory, psychoanalysis, and musicology to explore the relationship between aesthetics and anti-Semitism in two controversial landmarks in German culture. David Levin argues that Richard Wagner's opera cycle Der Ring des Nibelungen and Fritz Lang's 1920s film Die Nibelungen creatively exploit contrasts between good and bad aesthetics to address the question of what is German and what is not. He shows that each work associates a villainous character, portrayed as non-Germanic and Jewish, with the sometimes dramatically awkward act of narration. For both Wagner and Lang, narration--or, in cinematic terms, visual presentation--possesses a typ...
We have, all of us, read of the Golden Age, when the gods ruled over the world, and giants and dragons, dwarfs and water-fairies inhabited the earth and mingled with mortals. The giants were then a strong, stupid race, more rough than cruel, and, as a rule, generous among themselves. They were very foolish creatures, and constantly did themselves and others harm; but their race, even at that time, was dying out, and there were left of it only two brothers, Fasolt and Fafner. The dwarfs, or Nibelungs, were entirely different. They were small and misshapen, but very shrewd, and so skilful were their fingers that they were able to do the most difficult work in the finest metals. They lived in a...
Originally published in 1996, this book is a study of two of the central themes of medieval German mythology, the Dietrich and Nibelung legends. It traces its two legendary topics form their historical roots during the last centuries of the Roman Empire to the medieval texts that make them known to us. Many of the medieval texts have never been translated into English or even modern German. A synopsis of each work is therefore included so that the reader can form an idea of the content of the works in question. The book takes a text-oriented approach. The book includes a chronological chart which puts most of the texts and literary works discussed in a European and world context.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Originally published in 1996, this book is a study of two of the central themes of medieval German mythology, the Dietrich and Nibelung legends. It traces its two legendary topics form their historical roots during the last centuries of the Roman Empire to the medieval texts that make them known to us. Many of the medieval texts have never been translated into English or even modern German. A synopsis of each work is therefore included so that the reader can form an idea of the content of the works in question. The book takes a text-oriented approach. The book includes a chronological chart which puts most of the texts and literary works discussed in a European and world context.
The Nibelungenlied, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.