Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An Introduction to Richard Wagner's Der Ring Des Nibelungen
"Today, more than a century after its first performance, Richard Wagner's The Ring of Nibelung endures as one of the most significant artistic creations in the history of opera. This monumental work not only altered previously accepted concepts of music and drama but also inspired creative and intellectual efforts far beyond the field of opera. Previous studies of the Ring have appealed only to those already acquainted in some way with the Wagnerian art. For the uninitiated, Wagner and his landmark creation have seemed forbidding, and those eager to learn about the masterpiece have faced a vast and frequently esoteric body of commentary. Professor Cord addresses the interests of the non-specialist by taking the reader first into Wagner's unique intent, and then through the complete history of the Ring."--Publisher's description.
Nibelung’s Ring, The
This accessible text guides novice and seasoned opera listeners alike through Richard Wagner's renowned Ring cycle. To aid in understanding this complex and often contradictory work, a modern-day prose translation of its four component operas is provided, as is an explanation of "The Nibelung's Ring's mythological background, Wagner's creative process, and the ideas conveyed throughout each component. A section reviewing its numerous musical themes and how they bind the cycle together musically is also included. Rarely seen lithographs by artist Hugo Braune illustrate the story.
The Nibelungen Tradition
Within the English-speaking world, no work of the German High Middle Ages is better known than the Nibelungenlied, which has stirred the imagination of artists and readers far beyond its land of origin. Its international influence extends from literature to music, art, film, politics and propaganda, psychology, archeology, and military history.Now
Myth and Modernity
In interpreting its own age art often turns to the past. At the beginning of the twentieth century one of these encounters between present and past was prompted by the interest a major figure in German modernism, the sculptor Ernst Barlach, came to take in the medieval epic The Song of the Nibelungen. There exists no statement by Barlach to explain what prompted his interest and the resulting sequence of large drawings on the epic’s climactic final segment, reproduced here. In conception and execution these drawings stand out in Barlach’s graphic oeuvre, as they stand apart from the multitude of interpretations the Nibelungen inspired in art, literature, and music. This book discusses the epic and its course through German history, the artist’s biography and the course of his work, as well as the place the drawings occupy in the art, culture, and politics of Germany in the 1920s and 30s and beyond to the ideological and political crises of Central Europe before and after the First World War.
The Story of the Rhinegold (Der Ring des Nibelungen) Told for Young People
We have, all of us, read of the Golden Age, when the gods ruled over the world, and giants and dragons, dwarfs and water-fairies inhabited the earth and mingled with mortals. The giants were then a strong, stupid race, more rough than cruel, and, as a rule, generous among themselves. They were very foolish creatures, and constantly did themselves and others harm; but their race, even at that time, was dying out, and there were left of it only two brothers, Fasolt and Fafner. The dwarfs, or Nibelungs, were entirely different. They were small and misshapen, but very shrewd, and so skilful were their fingers that they were able to do the most difficult work in the finest metals. They lived in a...
Echoes from Mistland
A prose translation of the Nibelungenlied, with an introduction.
