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Prison Notebooks
Based on the authoritative Italian edition of Gramsci's work, 'Quaderni del Carcere', this translation presents the intellectual as he ought to be read and understood.
The Strozzi of Florence
Enter the turbulent world of a Florentine family through personal correspondence
Biographical Memoirs of Fellows
Volume 124 of the 'Proceedings of the British Academy' contains 19 obituaries of recently deceased Fellows of the British Academy.
The Noisy Renaissance
From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society. Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an “acoustic topography” of Florence. The dissemination of official messages, the rhythm of prayer, and the murmur of rumor and gossip combined to form a soundscape that became a foundation in the creation and maintenance of the urban community just as much as the city’s physical buildings. Sound in this space triggered a wide variety of social behaviors and spatial relations: hierarchical, personal, communal, political, domestic, sexual, spiritual, and religious. By exploring these rarely studied soundscapes, Atkinson shows Florence to be both an exceptional and an exemplary case study of urban conditions in the early modern period.
The Synod of Pistoia and Vatican II
In this book, Shaun Blanchard uses a close study of the Synod of Pistoia (1786) to argue that the roots of the Vatican II reforms must be pushed back beyond the widely acknowledged twentieth-century forerunners of the Council, beyond Newman and the Tübingen School in the nineteenth century, to the eighteenth century, in which a variety of reform movements attempted ressourcement and aggiornamento.
The Nose
Each year Americans spend billions of dollars on their noses. From over-the-counter sinus remedies to cosmetic surgery, aromatherapy to Chanel no. 5, we are a nation immersed in all things nasal. But how did this one vital organ become an object of beauty, a status symbol, the basis for judging character? What led to the invention of cotton tissues? Why do we follow our noses when seeking a mate -- or choosing a president? The Nose is a fascinating tour of its subject through history and biology, art and culture, sex and sensibility, sickness and health. Gabrielle Glaser breathes life into her research by offering engaging anecdotes and personal interviews with physicians and their patients; members of the FDA and the Fragrance Foundation; a rabbi who contemplates the nose in sacred Jewish texts; and a plastic surgeon who finally puts his own proboscis under the knife. Sure to awaken the senses of anyone who has pondered, probed, concealed, or cosmetically altered their noses, this book proves that there¹s more to the nose than meets the eye.
Creating the Florentine State
This book offers a comprehensive approach to the study of the political history of the Renaissance: its analysis of government is embedded in the context of geography and social conflict. Instead of the usual institutional history, it examines the Florentine state from the mountainous periphery - a periphery both of geography and class - where Florence met its most strenuous opposition to territorial incorporation. Yet, far from being acted upon, Florence's highlanders were instrumental in changing the attitudes of the Florentine ruling class: the city began to see its own self-interest as intertwined with that of its region and the welfare of its rural subjects at the beginning of the fifteenth century. Contemporaries either remained silent or purposely obscured the reasons for this change, which rested on widespread and successful peasant uprisings across the mountainous periphery of the Florentine state, hitherto unrecorded by historians.
The Underground Wealth of Nations
Silver mining was a capitalist business long before the supposed origin of modern capitalism Hundreds of years before a sixteenth†‘century crisis in European agriculture led to the origins of capital, investment, and finance, the silver mining industry exhibited many of the features of modern capitalism. Silver mines were large†‘scale businesses that demanded large investments and steady cash flow, achieved by spreading that risk through fungible shares and creating legal structures to protect entrepreneurs from financial disaster. Jeannette Graulau argues that mining preceded agriculture as the first true capitalist enterprise of the modern world.
The Laboring Classes in Renaissance Florence
The Laboring Classes in Renaissance Florence investigates the part of Renaissance history that refers to the notarial and criminal archives of Florence. The book presents the relations between the laboring classes and the ruling elite. It demonstrates the class struggle that happened in the Renaissance period. The text also describes the progress of class struggle in periods preceding the Industrial Revolution. It discusses the reforms of the political strategies, list of protests, and awareness of artisans and laborers in preindustrial milieu. Another topic of interest is the tax revolt, food riot, and rural rebels' resistance during the Renaissance period. The section that follows describes the emergence of ethnic ghettos, impact of immigration, and distribution of population. The book will provide valuable insights for historians, students, and researchers in the field of medieval history.
Art as Politics in Late Medieval and Renaissance Siena
In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.
