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Growing with Canada
During the second half of the twentieth century musical life in Canada flourished as never before, due in large measure to a generation of European émigrés who worked to establish a uniquely Canadian culture of classical music by teaching, performing, and composing "in the key of Canada."
Roy Thomson Hall
Roy Thomson Hall commemorates its 30th anniversary with this lavishly illustrated book tracing its history from Arthur Erickson's iconic design, to the artists, audiences, volunteers, and staff who have enriched and enlivened the hall since its opening in 1982.
Opera Viva
It started with a festival - three classic operas performed in a theatre in Toronto. But when it became apparent that there was a need for a national opera company, an organization was founded that would go on to become one of the largest performing arts organizations in the country. The Canadian Opera Company was born in 1950, and is now one of the major opera companies in North America. The Company has toured extensively throughout Canada and the United States, and has delighted audiences as far away as Australia and Hong Kong, all the while finding the time to record frequently and develop special operatic presentations for children. More than just a group of performers, the COC also prov...
A Woman of Adventure
Annette B. Dunlap takes a fresh look at Lou Henry Hoover, the First Lady who preceded Eleanor Roosevelt, from Hoover’s relief efforts during World War I to her work developing organizations that promoted self-sufficiency among young girls and women.
Victor Feldbrill
This is an account of the life and cultural contribution of one of Canadas most talented conductors. He was known for his limitless enthusiasm and support of Canadian music and young musicians, as well as for his insistence on playing music by Canadian composers.
Louis Applebaum
Canadian composer Louis Applebaum devoted his life to the cultural awakening of his native land, and this "magnificent obsession" drove him to become a founder of the Canadian League of Composers and the Canadian Music Centre. He was an instrumental figure in the early development of the National Film Board, the Stratford Festival, and the National Art Centre in Ottawa. For nearly half a century he composed music for the Stratford Festival, television, radio, and films. This illustrated biography explores the man who was beloved by his fellow artists and the icon to whom every Canadian, knowingly or not, is indebted.
Music Makers
Music Makers examines and celebrates the extraordinary lives of composer Harry Freedman and his partner, soloist Mary Morrison. Harry, with roots in jazz and popular music, was a member of the Toronto Symphony Orchestra for 25 years. Canada’s Composer of the Year in 1979, he has written an enormous repertoire that celebrates Canada and is sung and played around the world. After a stellar career in Canada as a popular singer and opera diva, Mary became an esteemed exponent of Canadian vocal works. She was a prestigious mentor and teacher of young Canadians now appearing on famous opera stages worldwide. She received the League of Composers’ Music Citation in 1968 and won Canada’s major award as Opera Educator in 2002.
Mapping Canada's Music
Mapping Canada’s Music is a selection of writings by the late Canadian music librarian and historian Helmut Kallmann (1922–2012). Most of the essays deal with aspects of Canadian music, but some are also autobiographical, including one written during retirement in which Kallmann recalls growing up in a middle-class Jewish family in 1930s Berlin under the spectre of Nazism. Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music. The variety, breadth, and scope of these writings confirm Kallmann’s pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory.
Unheard Of
Canadian composer John Beckwith recounts his early days in Victoria, his studies in Toronto with Alberto Guerrero, his first compositions, and his later studies in Paris with the renowned Nadia Boulanger, of whom he offers a comprehensive personal view. In the memoir’s central chapters Beckwith describes his activities as a writer, university teacher, scholar, and administrator. Then, turning to his creative output, he considers his compositions for instrumental music, his four operas, choral music, and music for voice. A final chapter touches on his personal and family life and his travel adventures. For over sixty years John Beckwith has participated in national musical initiatives in mu...
