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The Art of G.F. Watts
A lively and engaging introduction to one of the most charismatic figures in the history of British art, G.F. Watts. Covering all aspects of Watts's career, it places him back at the centre of the visual culture of the 19th century. Published to celebrate the 200th anniversary of his birth.
Richard Dadd
A fully illustrated account of Richard Dadd's life and career, this title presents a fascinating exploration of the relationship between art and madness.
The Lure of the East
British Orientalist Painting will explore the responses of British artists to the cultures and landscapes of the Near and Middle East between 1780 and 1930, offering vital historical and cultural perspectives on the challenging questions of the 'Orient' and its representation in British art. It will bring together over 120 paintings, prints and drawings of bazaars, public baths, domestic interiors and religious sites, and all the major genres, themes and preoccupations of Orientalism in British art will be considered. Several exceptional and rarely seen paintings by John Frederick Lewis, Edward Lear, David Wilkie, Richard Dadd, Lord Leighton, and William Holman Hunt, will be shown, as well as significant works by many less familiar names.
David Wilkie
This is the first modern book about the artist David Wilkie (1785-1841), the first British painter to become an international celebrity. Based on extensive original research, the book explores the ways in which Wilkie's images, so beloved by his contemporaries, engaged with a range of cultural predicaments close to their hearts. In a series of thematic chapters, whose concerns range far beyond the details of Wilkie's own career, Tromans shows how, through Wilkie's thrillingly original work, British society was able to reimagine its own everyday life, its history, and its multinational (Anglo-Scottish) nature. Other themes covered include Wilkie's roles in defining the border between painting and anatomy in the representation of the human body, and in transforming the pleasures of connoisseurship from an elite to a popular audience. For the first time, all of Wilkie's major subject pictures are brought together, reproduced and discussed. With a great range of new archival material and original interp
The Victorian Painting of Modern Life
This text offers a comprehensive and tightly focused account of the emergence and flourishing of British modern-life paintings at midcentury. Contemporary subjects were new and risky in the late 1840s and early 1850s; immensely popular and much debated by 1858; and already falling out of fashion by the mid-1860s. The book follows this story chronologically, moving from the anxious attempts by young artists such as William Powell Frith and William Holman Hunt to capture modern life in a visual language that conveyed both the literal and emotional truths of contemporary experience, through the new genre’s explosion into popularity in the later 1850s and early 1860s, and the critical debates (and changing fashions) that led to its diminishment by the end of that decade. The book will be of interest to scholars working in art history, British studies, visual culture, exhibition culture, museum studies, and the sociology of art.
Debating Orientalism
Edward Said continues to fascinate and stir controversy, nowhere more than with his classic work Orientalism. Debating Orientalism brings a rare mix of perspectives to an ongoing polemic. Contributors from a range of disciplines take stock of the book's impact and appraise its significance in contemporary cultural politics and philosophy.
Doppelgangers, Alter Egos and Mirror Images in Western Art, 1840-2010
The notion of a person--or even an object--having a "double" has been explored in the visual arts for ages, and in myriad ways: portraying the body and its soul, a woman gazing at her reflection in a pool, or a man overwhelmed by his own shadow. In this edited collection focusing on nineteenth- and twentieth-century western art, scholars analyze doppelgangers, alter egos, mirror images, double portraits and other pairings, human and otherwise, appearing in a large variety of artistic media. Artists whose works are discussed at length include Richard Dadd, Salvador Dali, Egon Schiele, Frida Kahlo, the creators of Superman, and Nicola Costantino, among many others.
Late Victorian Orientalism
Late Victorian Orientalism is a work of scholarly research pushing forward disciplines into new areas of enquiry. This collection of essays tries to redefine the task of interpreting the East in the nineteenth century taking as a starting point Edward Said’s Orientalism (1978) in order to investigate the visual, fantasised, and imperialist representations of the East as well as the most exemplary translations of Oriental texts. The Victorians envisioned the East in many different modes or Orientalisms since as Said suggested ‘[t]here were, perhaps, as many Orientalisms as Orientalists’. By combining together Western and Oriental modes of art, this study is not only aimed at filling a gap in Victorian and Oriental studies but also at broadening the audiences it is intended for.
Britain, Palestine and Empire: The Mandate Years
In 1948, Britain withdrew from Palestine, bringing to an end its 30 years of rule in the territory. What followed has been well-documented and is perhaps one of the most intractable problems of the post-imperial age. However, the long-standing connection between Britain and Palestine before May 1948 is also a fascinating story. This volume takes a fresh look at the years of the British mandate for Palestine; its politics, economics, and culture. Contributors address themes such as religion, mandatory administration, economic development, policy and counter-insurgency, violence, art and culture, and decolonization. This book will be valuable to scholars of the British mandate, but also more broadly to those interested in imperial history and the history of the West’s involvement in the Middle East.
Suffering and Sentiment in Romantic Military Art
In a moving intervention into Romantic-era depictions of the dead and wounded, Philip Shaw's timely study directs our gaze to the neglected figure of the common soldier. How suffering and sentiment were portrayed in a variety of visual and verbal media is Shaw's particular concern, as he examines a wide range of print and visual media, from paintings to sketches to political prose and anti-war poetry, and from writings on culture and aesthetics to graphic satires and early photographs. Whilst classical portraiture and history painting certainly conspired with official ideologies to deflect attention from the true costs of war, other works of art, literary as well as visual, proffered represe...
