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Crime
In a whirlwind demolition of dozens of misconceptions about crime, Nick Ross proposes what is arguably the most radical re-think of crime policy since the dawn of policing. Setting conventional thinking on its head, Crime challenges everything we take for granted, showing why the criminal justice system has little effect on crime rates, how policing has been hijacked to serve the needs of lawyers, and how 'facts' about crime are continually manipulated to serve the needs of politicians and the media. Crime is the result of twenty years' experience working with victims and police, and ten years' research to find out what makes crime rates ebb and flow. This is a major work that explodes fallacies and entreats us to be more sceptical. Crime will delight those who come to it with an open mind and infuriate ideologues from the left, right and centre.
Crimewatch UK
None
Wasters
This title is a searing exposé of profiteering and public waste during the boom years in Ireland. The authors show how wide and deep the rot runs, and they show that every scandal has one thing in common - insiders profiting at the expense of ordinary people.
Wolfie
Ross Willis's debut play is a wildly imaginative, irreverent look at life in and after the care system.
Wonder Boy
Sonny is twelve. Living with a stammer, he is finding his way in a world ruled by vicious vowels, confusing consonants, and the biggest beast of all - small talk. His only escape is with a comic-book hero of his own creation, who helps Sonny soar above his reality. But when he's cast by the headteacher in the school production of Hamlet, he soon discovers that language is power - and the real heroes are closer than he thinks. Wonder Boy, Ross Willis's play about the power of finding your own voice, premiered at Bristol Old Vic in March 2022, directed by Sally Cookson.
A Book of Essays
A Study in the Alliterative Alterity is a profoundly elaborative campaign into the abstract and substantive nature of five, in a manifold rubric, conceptual semantics and its testimonial unfolding by these separate elements in the quest for the interpretive and pragmatic humanistic ideations by its author. The first category, Knowledge, includes the colligation of the lemma and its concomitant descriptive import, addenda. The second, Logic, subsumes the focus of reasonable affiliation among concepts and again its accompanying association in extrapolation of the former titular correlation. Philosophy, as another category, includes the exposition of the various folds of designated and desultory distinction. The category, Humans, is featured as a necessitous ingredient in the coven of their particular consignment. And finally, Academic Learning, is a healthy salmagundi of the apprehension and consumption of scholarship. The book contains a certain flux of alliteration to charm and captivate the reader.
Life As Theater
Anthology of three plays, ONE SUNDAY, WARTS, and SCARLET SAGE.
The Untouchables
In March of this year, the Irish people voted against Fianna Fáil in historic numbers, delivering a thorough defeat to the party that had led the government for fourteen years. Democracy had worked, and a new government was sworn in. But how much had really changed? In The Untouchables, Shane Ross and Nick Webb shine a light into dark corners of official Ireland to show that the blame for running the country into the ground goes well beyond Fianna Fáil, and that a dismaying number of the people who should share the blame are still in situ- in the civil service, on the boards of the leading companies, and in the banks, law firms, and consultancies that carry so much influence in deciding who wins and who loses. They name names, trace connections, and show how the untouchables manged to do so much damage, how they got away with it, and how so many of them are still in positions of power and influence in Ireland.
American Kingpin
NEW YORK TIMES BESTSELLER. The unbelievable true story of the man who built a billion-dollar online drug empire from his bedroom—and almost got away with it In 2011, a twenty-six-year-old libertarian programmer named Ross Ulbricht launched the ultimate free market: the Silk Road, a clandestine Web site hosted on the Dark Web where anyone could trade anything—drugs, hacking software, forged passports, counterfeit cash, poisons—free of the government’s watchful eye. It wasn’t long before the media got wind of the new Web site where anyone—not just teenagers and weed dealers but terrorists and black hat hackers—could buy and sell contraband detection-free. Spurred by a public outc...
AQA GCSE Geography B
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