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The Possible is an experimental catalog/artist's book created in conjunction with an exhibition of the same name on view at the UC Berkeley Art Museum and Pacific Film Archive in the spring of 2014. Combining studio, classroom, library, gallery, and stage, The Possible offered a new model of museum exhibition. Rather than bringing together a group of existing artworks, artist/curator David Wilson hosted a convergence of over one hundred artists and collectives--with "artist" understood in the broadest sense. The BAM/PFA galleries were transformed into studios--ceramics, dye, recording, and print--as "platforms for making" that were actively used and reshaped by both guest artists and museum ...
This book constitutes the revised selected papers from the First International Workshop on Multimedia for Cultural Heritage, MM4CH 2011, held in Modena, Italy, on May 3, 2011. The 8 full papers and 9 poster papers included in this volume were carefully reviewed and selected from 25 submissions. In addition, the book contains a paper resuming the outcome of the discussion session. The workshop aimed on creating a profitable informal working day to discuss hot topics in multimedia, with special application to cultural heritage. The papers of the oral session are divided in topical sections named interaction and analysis and management.
IN WRITING a book for which there is no precedent (the tistic achievements. But, alas, there has not been such last textbooks about accompanying were written during a genius in the realm of music during the twentieth the age of thorough bass or shortly thereafter - the century. The creative musical genius of our space age eighteenth and early nineteenth centuries - and dealt has yet to be discovered, if he has been born. exclusively with the problems timely then) one must Our time has perfected technique to such a degree make one's own rules and set one's own standards. This that it could not help but create perfect technician freedom makes the task somewhat easier, if, on the one artists. O...
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This comprehensive yet concise survey of music, which is part of the highly acclaimed Prentice-Hall History of Music Series, is ideal for anyone interested in learning about the evolution of musical style through the Classic period (the late 18th and early 19th century) in its historical, cultural and social context. It includes the latest research in the chief areas of symphony, sonata, concerto, opera, chamber music and sacred music. For professional and amateur musicians, concert-goer and record collector.