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Studies on Voltaire and the Eighteenth Century
  • Language: en
  • Pages: 744

Studies on Voltaire and the Eighteenth Century

  • Type: Book
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  • Published: 1992
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  • Publisher: Unknown

None

Vernacular Architecture Newsletter
  • Language: en
  • Pages: 496

Vernacular Architecture Newsletter

  • Type: Book
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  • Published: 1991
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  • Publisher: Unknown

None

The Architecture of Modern Italy
  • Language: en
  • Pages: 294

The Architecture of Modern Italy

The history of design in Italy is explored in this authoritative and comprehensive work. Design periods include the era of Piranesi, the eclecticism of the 19th century, the futurism of the early 20th century, the dogmatic fascism of the interwar period, the designs of Pier Luigi Nervi and on to the present day.

Pompeii Awakened
  • Language: en
  • Pages: 321

Pompeii Awakened

The rediscovery of the Roman cities overwhelmed by the rage of Vesuvius is one of history's most extraordinary adventure stories. Pompeii Awakened revels in that adventure, and tells of the re-emergence of a long-vanished cosmopolis which profoundly inspired a later age - from its arts and architecture to its science, sex and religion. When Herculaneum, Pompeii' s sister in disaster, was located in 1709, that first discovery launched a frenzied scramble for buried treasure. Then in 1755 Pompeii too rose from its crust of volcanic rock, and the science of archaeology was born. Whereas Herculaneum had artistic, political and philosophical impact, the later discoveries at Pompeii spoke rather o...

Actes Du Huitieme Congres International Des Lumieres, Bristol 21-27 Juillet 1991
  • Language: en
  • Pages: 744

Actes Du Huitieme Congres International Des Lumieres, Bristol 21-27 Juillet 1991

  • Type: Book
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  • Published: 1992
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  • Publisher: Unknown

None

IMAGINARIES ON MATTER: TOOLS, MATERIALS, ORIGINS
  • Language: en
  • Pages: 137

IMAGINARIES ON MATTER: TOOLS, MATERIALS, ORIGINS

Imaginaries on Matter – Tools, Materials, Origins, promotes an innovative architectural research agenda that connects historical-cultural written research with digitally led material explorations. The common thread is the notion of the material imagination, disclosed in the reverie, or material daydream, which challenges overly pragmatic or unreflective material choices within current architectural practice. In bonding our imagination directly with matter while also confronting new technologies, this book promotes strategies by which architects' and builders' future relations with materials can stay rooted within the deeper concerns of cultural meaning. Imaginaries on Matter includes interviews with Aulets Arquitectes, Alibi Studio, Ensamble Studio, Geometria, Helen & Hard, KieranTimberlake, Supermanoeuvre, and Vandkunsten, as well as a postscript by David Leatherbarrow. Edited by Thomas Bo Jensen, Carolina Dayer, Jonathan Foote

Compte Rendu Du ... Congrès International Sur Le Siècle Des Lumiéres
  • Language: en
  • Pages: 592

Compte Rendu Du ... Congrès International Sur Le Siècle Des Lumiéres

  • Type: Book
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  • Published: 1992
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  • Publisher: Unknown

None

Vile na Goriškem in Vipavskem od 16. do 18. stoletja
  • Language: sl
  • Pages: 197

Vile na Goriškem in Vipavskem od 16. do 18. stoletja

None

Eutopia
  • Language: it
  • Pages: 268

Eutopia

  • Type: Book
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  • Published: 1993
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  • Publisher: Unknown

None

Distance Points
  • Language: en
  • Pages: 598

Distance Points

  • Type: Book
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  • Published: 1994
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  • Publisher: MIT Press

These essays by one of America's foremost historians of art and architecture range over theory and criticism, the search for connections between art and science in the Renaissance, and specific works of Renaissance architecture. The largest group of essays, dealing with the character of Renaissance architecture, are models of art historical scholarship in their direct approach to identifying the essentials of a building and the social and intellectual context in which they should be viewed. Another group of essays explores encounters between the traditions of artistic practice and early optics and color theory. The three essays that begin this collection bring to light the intellectual and moral concerns that underlie all of Ackerman's art historical work.