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Women Writers of the American West, 1833–1927 recovers the names and works of hundreds of women who wrote about the American West during the nineteenth and early twentieth centuries, some of them long forgotten and others better known novelists, poets, memoirists, and historians such as Willa Cather and Mary Austin Holley. Nina Baym mined literary and cultural histories, anthologies, scholarly essays, catalogs, advertisements, and online resources to debunk critical assumptions that women did not publish about the West as much as they did about other regions. Elucidating a substantial body of nearly 650 books of all kinds by more than 300 writers, Baym reveals how the authors showed women ...
For more than a decade Nina Baym has pioneered in the reexamination of American literature. She has led the way in questioning assumptions about American literary history, in critiquing the standard canon of works we read and teach, and in rediscovering lost texts by American women writers. Feminism and American Literary History collects fourteen of her most important essays published since 1980, which, combining feminist perspectives with original archival research, significantly revise standard American literary history. In Part I, "Rewriting Old American Literary History," the focus is on male writers. Essays range from close readings of individual works to ambitious critiques of the main...
This reissue of the pioneering and standard book on antebellum women's domestic novels contains a new introduction situating the book in the context of important recent developments in the study of women's writing. Nina Baym considers 130 novels by 48 women, focusing on the works of a dozen especially productive and successful writers. Woman's Fiction is a major-work in nineteenth-century literature, reexamining changes in the literary canon and the meaning of sentimentalism, while responding to current critical discussions of 'the body' in literary texts. ''Informative and stimulating. . . . Nina Baym has undertaken a systematic analysis of that nineteenth-century American fiction normally ...
The Eighth Edition features a diverse and balanced variety of works and thorough but judicious editorial apparatus throughout. The new edition also includes more complete works, much-requested new authors, 170 in-text images, new and re-thought contextual clusters, and other tools that help instructors teach the course they want to teach.
"This book traces the birth, growth, and decline of a genre of popular fiction that dominated American literary taste for at least a generation - a genre created by women and directed at them"--Cover.
"This companion volume reflects current scholarship and draws together essays that were published during the past decade or written for this collection."--Back cover.
Hawthorne was, with his own complicity, long described as a writer of unreal romances (as he preferred to call his novels) or "allegories of the heart" as he termed some of his short stories. The essays in this collection contribute to the turn in recent Hawthorne criticism which shows how deeply implicated in realism his writing was."--BOOK JACKET.
DIVArgues against the use of male/female gender categories to characterize public and domestic life./div
This book explores the responses to science displayed in a range of writings by American women. Conceding that they could not become scientists, women insisted, however, that they were capable of understanding science and participating in its discourse. They used their access to publishing to advocate the study and transmission of scientific information to the general public. Baym's book includes biographies and a full exploration of these women's works. She also investigates science in women's novels, writing by and about women doctors, and the scientific claims advanced by women's spiritualist movements.
"Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something more intimate. Through in-depth interviews with musicians such as the Cure, UB40, and Throwing Muses, Nancy K. Baym reveals how new media has facilitated connections through the active participation of both the artists and their devoted digital fan base. Before the rise of online sharing and user-generated content, audiences were mostly seen as undifferentiated masses, often mediated through record labels and the press. Today, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving them a ...