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Analytical and Cross-Cultural Studies in World Music
This collection presents intriguing explanations of extraordinary musical creations from across the world, concentrating on how the music works as sound in process. It suggests analytical approaches that apply across cultures, proposes a new way of classifying music, and treats provocative questions about the juxtaposition of music from different cultures.
Music from the Tang Court: Volume 5
The fifth volume in this study of the music of the Tang Court.
Music from the Tang Court: Volume 6
This volume brings to an end the transcription and description of thirty-one items from the Court Entertainment Music of the Tang. Of particular interest are a tune for a birthplace-ode by the Taizong Emperor, music for spear throwing, and a piece imitating calls between sexual partners in a flock of geese. Important appendices discuss stylistic differences between music of the Tang and imitative Japanese compositions, Tang compositions with military associations, and relatedness between movements in suites from the Tang.
Music from the Tang Court: Volume 7
The seventh volume in this study of the music of the Tang Court.
Ethnomusicology
Ethnomusicology: A Research and Information Guide is an annotated bibliography of books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts; Part One is organised by resource type in catagories of greatest concern to students and scholars. This includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widely used by ethnomusicologists. Multiply indexed, this book serves as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the past decades.
Staging Tianxia
Staging Tianxia explores the ancient Chinese vision of world order known as tianxia (all under heaven) by focusing on the historical, performative, and rhetorical processes of expressive arts and cultural heritages that inform a vision of China as a historically multiethnic and cosmopolitan nation. Author Lanlan Kuang unites multimedia ethnographic research and theoretical insights from ethnomusicology, philosophy, religious studies, performance studies, and cognitive science, with a focus on Dunhuang bihua yuewu, a modern interpretation inserted into the Chinese classical dance and theatrical arts tradition. Staging Tianxia thus aims to redefine Silk Road studies and Dunhuangology, a transdisciplinary field dedicated to studying the texts and art of Dunhuang, a UNESCO World Heritage Site that connected China via the Silk Road with Central Asia, South Asia, Europe, and the Middle East. Staging Tianxia is a careful ethnographic study that looks at the importance of performance tradition and poetics in the arts and aesthetic theory of China.
Music from the Tang Court
This fourth fascicle publishes fourteen items, from the second scroll of pieces belonging to the Ichikotsu-cho mode-key group.
Music from the Tang Court: Volume 2
This second fascicle includes two further suites from the Ichikotsu-chō mode-key group, namely Toraden, which probably originated in the early eighth century, and Shunnō-den, a ballet-suite believed to have its source in a late seventh-century piece in imitation of Cettia diphone cantans - a bush warbler with a nightingale-like song.
Music from the Tang Court: Volume 3
Fáscicle 3 publishes smaller suites and pieces, together representative of the 'middle-sized pieces' and 'small pieces' (chukyoku and shokyoku) of the threefold classification, in which the daikyoku are the largest suites. O-dai hajin-raku from a reputedly eleventh-century manuscript: Kaicbu-fu, in parallel with the conflation discussed in Fascicle 2.
