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“We’re becoming like Europe.” This expression captures many Americans’ sense that something has changed in American economic life since the Great Recession’s onset in 2008: that an economy once characterized by commitments to economic liberty, rule of law, limited government, and personal responsibility has drifted in a distinctly “European” direction. Americans see, across the Atlantic, European economies faltering under enormous debt; overburdened welfare states; governments controlling close to fifty percent of the economy; high taxation; heavily regulated labor markets; aging populations; and large numbers of public-sector workers. They also see a European political class s...
Traces the roots of the Persian Gulf War and the role women played in the military, as correspondents, as medics, and on the homefront.
The one hundred most influential people of the twentieth century, as selected by the editors of Time magazine and featured in a series of documentaries produced by CBS.
Over the past thirty years, as Wesley J. Smith details in his latest book, the concept of animal rights has been seeping into the very bone marrow of Western culture. One reason for this development is that the term “animal rights” is so often used very loosely, to mean simply being nicer to animals. But although animal rights groups do sometimes focus their activism on promoting animal welfare, the larger movement they represent is actually advancing a radical belief system. For some activists, the animal rights ideology amounts to a quasi religion, one whose central doctrine declares a moral equivalency between the value of animal lives and the value of human lives. Animal rights ideol...
The magazine of the Library of Congress.
On the fictional morning of June 16, 1904—Bloomsday, as it has come to be known—Mr. Leopold Bloom set out from his home at 7 Eccles Street and began his day’s journey through Dublin life in the pages of James Joyce’s novel of the century, Ulysses. Commemorating the 100th anniversary of Bloomsday, Yes I Said Yes I Will Yes offers a priceless gathering of what’s been said about Ulysses since the extravagant praise and withering condemnation that first greeted it upon its initial publication. From the varied appraisals of such Joyce contemporaries as William Butler Yeats (“It is an entirely new thing. . . . He has certainly surpassed in intensity any novelist of our time”) and Virginia Woolf (“Never did I read such tosh”), to excerpts from Tennessee Williams’ term paper “Why Ulysses is Boring” and assorted wit, praise, parody, caricature, photographs, anecdotes, bon mots, and reminiscence, this treasury of Bloomsiana is a lively and winning tribute to the most famous day in literature.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
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The publication of James Joyce’s Ulysses was met with both hyperbolic praise and scorn: was Joyce’s evocation of a day in the life of Leopold Bloom’s Dublin a work of genius? Or was it drivel? Was it “an entirely new thing” (W. B. Yeats), or “a turgid welter of pornography” (Edith Wharton)? A “work of high genius” (Edmund Wilson) or something rather slighter: “Never did I read such tosh,” Virginia Woolf wrote. In “Ulysses Bores Me So,” a selection from the Bloomsday compendium yes I said yes I will Yes., the evidence is laid bare: the first reviews, letters, and reactions to the book that would change the course of literary history.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.