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THEY WILL DO WHATEVER IT TAKES TO CLAIM IT AS THEIR OWN In 2016 a pair of amateur astronomers spot an unidentified object – an object one hundred kilometres across and heading towards Earth. As it approaches, NASA and the Russian-Indian-Brazilian Coalition race to land vehicles on the unexplored surface. With power, money and politics behind each mission, both crews have orders to stop at nothing to get there first. Zack Stewart, NASA’s team leader, is determined to succeed. But as they’re about to land, violent explosions from the meteorite’s surface propel it directly into Earth’s orbit. Analysis shows the explosions were timed and deliberate – but by whom and why? As the world holds its breath, Zack makes a discovery that will change the course of humanity... forever. ‘Recalls Arthur C. Clarke at his heights ... Better still, there’s more to come!’ Gregory Benford ‘Prepare to have your world rocked’ Robert J. Sawyer ‘Plotted like an old-school SF story, it’s firmly in the modern cinematic trend in its writing style’ SFX ‘One of the most entertaining novels I’ve read this year’ FantasyBookCritic blog
'Bizarre and quite brilliant.' Dominic Sandbrook, Sunday Times'Thrilling.' Michael Burleigh, Sunday Telegraph'Francis Spufford has one of the most original minds in contemporary literature.' Nick HornbyThe Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working.Red Plenty is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Nikita Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan, every Lada would be better engineered than a Porsche and sputniks would lead the way to the stars. And it's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending.
Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.
"A hilarious, heartfelt, and realistic coming-of-age story." —Buzzfeed "Hilarious and heartwarming." —Popsugar “A laugh-out-loud and vulnerable coming-of-age story.” —The Nerd Daily [Movie trailer narrator voice]: In a world, where humanity has crumbled—wait, no, wrong story. Sorry! Let’s try that again. [YA movie trailer narrator voice:] Some students enter their freshman year of college knowing exactly what they want to do with their lives. Elliot McHugh isn’t one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties to testing her RA Rose’s ...
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the s...
When humankind’s first contact with a strange alien species goes awry, detective and Ark hero Brian Benson is left to pick up the pieces Against all odds, the Ark and her thirty-thousand survivors have reached Tau Ceti G to begin the long, arduous task of rebuilding human civilization. Meanwhile, on the other side of the world, Tau Ceti G’s natives, the G’tel, are coming to grips with the sudden appearance of what many believe are their long-lost Gods. But first contact between humans and G’tel goes catastrophically wrong, visiting death on both sides. Rumors swirl that the massacre was no accident. The Ark’s greatest hero, Bryan Benson, takes on the mystery. Partnered with native ‘truth-digger’ Kexx, and against both of their better judgment, Benson is thrust into the heart of an alien culture with no idea how to tell who wants to worship him from who wants him dead. Together, Benson and Kexx will have to find enough common ground and trust to uncover a plot that threatens to plunge both of their peoples into an apocalyptic war that neither side can afford to fight.
Paul Klee was endowed with a rich and many-sided personality that was continually spilling over into forms of expression other than his painting and that made him one of the most extraordinary phenomena of modern European art. These abilities have left their record in the four intimate Diaries in which he faithfully recorded the events of his inner and outer life from his nineteenth to his fortieth year. Here, together with recollections of his childhood in Bern, his relations with his family and such friends as Kandinsky, Marc, Macke, and many others, his observations on nature and people, his trips to Italy and Tunisia, and his military service, the reader will find Klee's crucial experience with literature and music, as well as many of his essential ideas about his own artistic technique and the creative process.
“If you liked Chaos, you’ll love Complexity. Waldrop creates the most exciting intellectual adventure story of the year” (The Washington Post). In a rarified world of scientific research, a revolution has been brewing. Its activists are not anarchists, but rather Nobel Laureates in physics and economics and pony-tailed graduates, mathematicians, and computer scientists from all over the world. They have formed an iconoclastic think-tank and their radical idea is to create a new science: complexity. They want to know how a primordial soup of simple molecules managed to turn itself into the first living cell—and what the origin of life some four billion years ago can tell us about the ...
'A book of excruciating sobriety and warmth and a magical concreteness of observation... I know of no book which conveys more about that complex fate, being a European at the end of European civilization' Susan Sontag At first The Emigrants appears simply to document the lives of four Jewish émigrés in the twentieth century. But gradually, as Sebald's precise, almost dreamlike prose begins to draw their stories, the four narrations merge into one overwhelming evocation of exile and loss. 'An unconsoling masterpiece... Exquisitely written and exquisitely translated...a true work of art' Spectator