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Dancer of Gor
Doreen Williamson is a quiet, shy librarian on Earth. As many other young women she is distrustful of her attractions, frightened of men, introverted in manner and sexually inhibited. She lives in a quiet, lonely, dissatisfying, sheltered, frustrated desperation, distant from her true self, her nature denied, her only friends books and her secret thoughts. In the realization and enactment of a profound fantasy, after acute self-conflict, she dares to study dancing, a form of dance in which she is at last free to move her body as a female, a form of dance in which she may revel in her beauty and womanhood, a form of dance historically commanded by masters of selected, suitable slaves, belly d...
A Dancing People
This volume is a comprehensive history of of Southern Plains powwow culture - an interdisciplinary, highly collaborative ethnography based on more than two decades of participiation in powwows - addressing how the powwow has changed over time.
Bronislava Nijinska
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Dance Class
Dance Class offers an extraordinary collection of student essays about Anthony Powells great comic novel A Dance to the Music of Time. The young authors not only discuss issues of character, plot, and theme, but they also investigate historical background, chart personal relevance, parody characters and situations, even in one students case write a treatment for a drama. In examining Mrs. Erdleighs fortune-telling mumbo-jumbo, Cassidy Carpenter presents compelling and original evidence that the narrators birthday is the same as Powells. Will Story provides an invaluable guide to all the military acronyms that percolate through the war novels. Alex Svec creates a brilliant parody of writings by Julian Maclaren-Ross, the real-life model for X. Trapnel. For those who love A Dance to the Music of Time, this book will reveal fresh new ways of looking at the series. And for those who are just discovering it, Dance Class will prove a useful and highly entertaining guide.
Sun Chief
First published in 1942, Sun Chief is the autobiography of Hopi Chief Don C. Talayesva and offers a unique insider view on Hopi society. In a new Foreword, Matthew Sakiestewa Gilbert situates the book within contemporary Hopi studies, exploring how scholars have used the book since its publication more than seventy years ago.
Paddington Treasury
A reprint of previously published Paddington Bear stories.
The Soundies
The 1940s saw a brief audacious experiment in mass entertainment: a jukebox with a screen. Patrons could insert a dime, then listen to and watch such popular entertainers as Nat "King" Cole, Gene Krupa, Cab Calloway or Les Paul. A number of companies offered these tuneful delights, but the most successful was the Mills Novelty Company and its three-minute musical shorts called Soundies. This book is a complete filmography of 1,880 Soundies: the musicians heard and seen on screen, recording and filming dates, arrangers, soloists, dancers, entertainment trade reviews and more. Additional filmographies cover more than 80 subjects produced by other companies. There are 125 photos taken on film sets, along with advertising images and production documents. More than 75 interviews narrate the firsthand experiences and recollections of Soundies directors and participants. Forty years before MTV, the Soundies were there for those who loved the popular music of the 1940s. This was truly "music for the eyes."
The American Dancer
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Dancing Jewish
Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but they have also played a critical and unacknowledged role in American Jewish culture. This book delineates this rich history, demonstrating how, over the twentieth century, dance enabled American Jews to grapple with identity, difference, cultural belonging, and pride.
Broadway, Balanchine, and Beyond
In this memoir of a roller-coaster career on the New York stage, former actor and dancer Bettijane Sills offers a highly personal look at the art and practice of George Balanchine, one of ballet’s greatest choreographers, and the inner workings of his world-renowned company during its golden years. Sills recounts her years as a child actor in television and on Broadway, a career choice largely driven by her mother, and describes her transition into pursuing her true passion: dance. She was a student in Balanchine’s School of American Ballet throughout her childhood and teen years, until her dream was achieved. She was invited to join New York City Ballet in 1961 as a member of the corps ...
