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The controversy of flux and stasis as the groundwork of reality of Greek ancient philosophy reached its crux in the all encompassing doctrine of the logos by Heraclitus of Ephesus. It centers upon human soul in its role with the cosmos. Philosophy of the Occident corroborating Greek insights with the progress of culture in numerous interpretations (Kant, Kierkegaard, Husserl, Merleau-Ponty, Ricoeur...), presented in this collection has neglected the cosmic sphere. While contemporary development of science revealed its grounding principles (papers by Grandpierre, Kule and Trutty-Coohill) the ancient logos fully emerges. Thus, logos hitherto hidden in our commerce with earth is revealed in its intertwinings with the cosmos through the trajectories of the phenomenology/ontopoiesis of life (Tymieniecka). The crucial link between the soul and the cosmos, in a new geo-cosmic horizon, is thus being retrieved.
First multi-year cumulation covers six years: 1965-70.
A Hundred Flowers Blossoming is a collection of literary essays written by faculty members of Xi'an International Studies University, China with two distinctive features. The first one is a Chinese perspective on Western literary works, which is normally not found in the scholarship in the West. The second is the feministic stance demonstrated in most articles, as most of the contributors are female. There are four parts in this collection. Part One is titled 'A Room of Her Own' and shows the feminist approach to literary works. Part Two is titled 'Through the Chinese Lens,' as it presents a Chinese perspective in the analysis of the literary works. 'Form Is Meaning' is the title of Part Three, which approaches literary works from a structuralist perspective. Part Four includes two articles: one exploring the theme of death in Joyce's Dubliners and the other reexamining the images of Faulkner's Trio of Hunting Tales.