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This book is the first comprehensive study of fiction written by Irish authors during the Victorian age. James H. Murphy analyses the development of the novel in Ireland and examines the work of 150 authors including well-known figures such as William Carleton, Charles Lever, Somerville and Ross, and Bram Stoker in the social and literary contexts of their times.
Examines the works and careers of the principal Irish novelists of the early 19th century, including; Edgeworth, Morgan, Banim, Griffin and Carleton. Also looks at the history of the time in terms of political, social, and religious aspects.
This is the first comprehensive study of the Irish writers of the Victorian age, some of them still remembered, most of them now forgotten. Their work was often directed to a British as well as an Irish reading audience and was therefore disparaged in the era of W.B. Yeats and the Irish Literary Revival with its culturally nationalist agenda. This study is based on a reading of around 370 novels by 150 authors, including still-familiar novelists such as William Carleton, the peasant writer who wielded much influence, and Charles Lever, whose serious work was destroyed by the slur of 'rollicking', as well as Joseph Sheridan LeFanu, George Moore, Emily Lawless, Somerville and Ross, Bram Stoker...
'Terrific - terrifying, amazing' STEPHEN KING 'Completely, indescribably magnificent' MARIAN KEYES ----- A DISAPPEARANCE. A SMALL TOWN. A QUESTION THAT NEEDS ANSWERING... Cal Hooper thought a fixer-upper in a remote Irish village would be the perfect escape. After twenty-five years in the Chicago police force, and a bruising divorce, he just wants to build a new life in a pretty spot with a good pub where nothing much happens. But then a local kid comes looking for his help. His brother has gone missing, and no one, least of all the police, seems to care. Cal wants nothing to do with any kind of investigation, but somehow he can't make himself walk away. Soon Cal will discover that even in t...
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THE EXTRAORDINARY #1 BESTSELLER AND WORD-OF-MOUTH LITERARY PHENOMENON 'Razor-sharp and raw; her story is utterly original yet as familiar as my own breath . . . my favourite memoir of the year' Glennon Doyle, #1 New York Times bestselling author of Untamed ***** 'I am afraid of being the disruptive woman. And of not being disruptive enough. I am afraid. But I am doing it anyway.' In this dazzling debut, Emilie Pine speaks to the business of living as a woman in the 21st century - its extraordinary pain and its extraordinary joy. Courageous, humane and uncompromising, she writes with radical honesty on birth and death, on the grief of infertility, on caring for her alcoholic father, on taboos around female bodies and female pain, on sexual violence and violence against the self. Devastatingly poignant and profoundly wise - and joyful against the odds - Notes to Self offers a portrait not just of its author but of a whole generation. 'Do not read this book in public: it will make you cry' Anne Enright 'Every line pulses with the pain and joy and complexity of an extraordinary life' Mark O'Connell RUTH & PEN, EMILIE PINE'S FIRST NOVEL, IS OUT ON THE 5TH OF MAY 2022
A luminous memoir from the prize-winning poet - a story of love, heartbreak and coming of age, and a tender exploration of queer identity. 'Beautiful' Colm Tóibín 'Rapturous' New York Times 'Extraordinary' Observer 'Stunning' Sunday Times When Seán meets Elias, the two fall headlong into a love story. But as Elias struggles with severe depression, the couple comes face to face with crisis. Wrestling with this, Seán Hewitt delves deep into his own history, enlisting the ghosts of queer figures and poets before him. From a nineteenth-century cemetery in Liverpool to the pine forests of Gothenburg, Hewitt plumbs the darkness in search of solace and hope. All Down Darkness Wide is a mesmerising story of heartache and renewal, and a fearless exploration of a world that too often sets happiness and queer life at odds. WINNER OF THE ROONEY PRIZE FOR IRISH LITERATURE 2022 'Extraordinarily beautiful... the best new work of non-fiction I've read in years' Sarah Perry 'Rigorous and sensual... Hewitt has forged a life-enhancing memoir' Spectator
Exploring the lives and works of more than 80 Irish writers—including playwrights, novelists, short story writers, poets, essayists, historians, humorists, and philosophers—this book examines Irish writing within the context of each writer’s life and times, while many curious details, such as the secret scribblings of an Irish rector, are revealed. Among those exposed are the author who turned to writing when he ran a sword through a fellow actor; the writer who stole a priest’s name; and the master of words who became “The Invisible Prince.” With wit and style, this book presents the essential biographical details of an diverse range of literary genius, from Jonathan Swift and Oscar Wilde, to Flann O'Brien, Elizabeth Bowen, and Seamus Heaney.
Bringing together the diverse and marvelously articulate voices of women of Irish and Irish-American descent, editors Caitriona Moloney and Helen Thompson examine the complicated maps of experience that the women's public, private, and literary lives represent—particularly as they engage in both feminism and postcolonialism. Acknowledging Mary Robinson's revised view of Irish identity—now global rather than local—this work recognizes the importance of identity as a site of mobility. The pieces reveal how complex the terms "feminism" and "postcolonialism" are; they examine how the individual writers see their identities constructed and/or mediated by sexuality. In addition, the book traces common themes of female agency, violence, generational conflicts, migration, emigration, religion, and politics to name a few. As it represents the next wave of Irish women writers, this book offers fresh insight into the work of emerging and established authors and will appeal to a new generation of readers.
This study pairs selected Irish and British women novelists of three periods, relating their voices to the women's movements in their respective nations. In the first wave, nationalist and militant ideologies competed with the suffrage fight in Ireland. Elizabeth Bowen's The Last September illustrates the melancholy of gender performance and confusion of ethnic identity in the dying Anglo-Irish Ascendancy class. In England, suffrage ideologies clashed with socialism and patriotism. Virginia Woolf's Mrs. Dalloway contains a political unconscious that links its characters across class and gender. In the second wave, heterosexual romantic relationships come under scrutiny. Edna O'Brien's Countr...