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Matières de Rêves
-- Remarkable selection of objects that surpass the typical design associations of their day and enter into the realm of art -- First time most of these objects have been published -- Features 90 superb examples of jewelry, furniture and architecture with fascinating stories of their creation and provenance Throughout history, French artists, artisans and designers have created astonishingly beautiful decorative arts. Stuff of Dreams features 90 marvelous pieces that have surpassed all standards of tradition, craftsmanship and utility. Many of these objects possess a latent surrealistic element, linking the rich, the elegant, the elaborate, the curious and the sensuous. This publication acco...
A Pedagogy of Observation
A Pedagogy of Observation argues that the fascination with learning about the past and new locations in panoramic form spread far from the traditional sites of popular entertainment and amusement. Although painted panoramas captivated audiences from Hamburg to Leipzig and Berlin to Vienna, relatively few people had direct access to this invention. Instead, most Germans in the early nineteenth century encountered panoramas for the first time through the written word. The panorama experience described inthis book centers on the emergence of a new type of visual language and self-fashioning in material culture adopted by Germans at the turn of the nineteenth century, one that took cues from the...
The Spectacular Past
Struggling to make sense of the Revolution of 1789, the French in the nineteenth century increasingly turned to visual forms of historical representation in a variety of media. Maurice Samuels shows how new kinds of popular entertainment introduced during and after the Revolution transformed the past into a spectacle. The wax display (in which visitors circulated amid life-size statues of historical figures), the phantasmagoria show (in which images of historical personages were projected onto smoke or invisible screens), and the panorama (in which spectators viewed giant circular canvases depicting historical scenes) employed new optical technologies to entice crowds of spectators. Such ent...
Housing the New Romans
In the last twenty years, reception studies have significantly enhanced our understanding of the ways in which Classics has shaped modern Western culture, but very little attention has been directed toward the reception of classical architecture. Housing the New Romans: Architectual Reception and Classical Style in the Modern World addresses this gap by investigating ways in which appropriation and allusion facilitated the reception of Classical Greece and Rome through the requisition and redeployment of classicizing tropes to create neo-Antique sites of "dwelling" in the 19th and early 20th centuries. The volume, across nine essays, will cover both European and American iterations of place ...
Roberto Polo: The Eye
This book explores a selection of hundreds of masterpieces from the extraordinary art and jewellery collections formed by the legendary art connoisseur and museum benefactor Roberto Polo. At an early age, Roberto Polo revealed a powerful talent as a visual artist and was described as 'an art prodigy', exhibiting his work in major art museums and galleries in America. Thanks to his profound knowledge of art history and theory, he also revealed an astonishing talent for identifying exceptional art and jewellery from many periods and origins. Educated at The Corcoran School of Art in Washington, D.C., where he was appointed professor at the precocious age of sixteen, and at Columbia University ...
The Essence of Style
What makes fashionistas willing to pay a small fortune for a particular designer accessory -- a luxe handbag, for example? Why is it that people all over the world share the conviction that a special occasion only becomes really special when a champagne cork pops -- and even more special when that cork comes from a bottle of Dom Pérignon? Why are diamonds the status symbol gemstone, instantly signifying wealth, power, and even emotional commitment? One of the foremost authorities on seventeenth-century French culture provides the answer to these and other fascinating questions in her account of how, at one glittering moment in history, the French under Louis XIV set the standards of sophist...
Secrets of a Suitcase
When Pauline Terreehorst bid for a vintage Gucci suitcase at Sotheby’s Amsterdam, she had no idea what was inside. After picking up her prize, she found that the case was filled with dresses, fur collars and lace voiles, and accompanied by two brown boxes of postcard albums showing churches and castles in Austria, France, England and Scotland. This curious correspondence was addressed to an Austrian countess, businesswoman and philanthropist called Margarethe Szapáry, and her daughter. These unexpected family treasures open a window onto a lost world. The Szapárys’ social, cultural and political landscape disappeared in the upheavals that seized Europe during the first half of the twentieth century—a time when borders were redrawn, old cities received new names, communities changed loyalties, and the transnational, monarchist aristocrats of Middle Europe had to decide whether to become Germans under Nazi rule. What did Margarethe choose, when her neighbour Hermann Göring came knocking? What were the consequences for her and her children? And how did her family’s suitcase cross war-torn Europe and survive decades of rupture to end up in Terreehorst’s hands?
The Tastemakers
An examination of the development, role, and influence of the British decorative art dealers who invented an Anglo-Gallic style for elite interiors. In this volume Diana Davis demonstrates how London dealers invented a new and visually splendid decorative style that combined the contrasting tastes of two nations. Departing from the conventional narrative that depicts dealers as purveyors of antiquarianism, Davis repositions them as innovators who were key to transforming old art objects from ancien régime France into cherished “antiques” and, equally, as creators of new and modified French-inspired furniture, bronze work, and porcelain. The resulting old, new, and reconfigured objects m...
The God behind the Marble
A history of Germans’ attempts to transform society through art in an age of revolution. For German philosophers at the turn of the nineteenth century, beautiful works of art acted as beacons of freedom, instruments of progress that could model and stimulate the moral autonomy of their beholders. Amid the Revolutionary and Napoleonic wars, Germans struggled to uphold these ideals as they contended with the destruction of art collections, looting, and questions about cultural property. As artworks fell prey to the violence they were supposed to transcend, some began to wonder how art could deliver liberation if it could also quickly become a spoil of war. Alice Goff considers a variety of works—including forty porphyry columns from the tomb of Charlemagne, the Quadriga from the Brandenburg Gate in Berlin, the Laocoön group from Rome, a medieval bronze reliquary from Goslar, a Last Judgment from Danzig, and the mummified body of an official from the Rhenish hamlet of Sinzig—following the conflicts over the ownership, interpretation, conservation, and exhibition of German collections during the Napoleonic period and its aftermath.
The Panorama
In this book, Bernard Comment examines the wide variety of panoramas featuring both the old and the new worlds. Included among views of cities are Robert Baker's View of Edinburgh and depictions of Paris, Moscow and Lima.
