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This anthology is a poly-vocal, visually stunning answer to the question, What are the sounds of community and how they are handed down? A home for Black art and culture in Seattle's Central District, with this anthology Wa Na Wari makes a home for the essays, poetry, scores, scripts and silences of the Black poets, musicians, artists and scholars assembled by editors Rachel Kessler and Elisheba Johnson to wonder about the time-traveling, place-making power of sound. Contributors: Anastacia-Reneé, Kamari Bright, Thione Diop, Mary Edwards, Rachael F., Aricka Foreman, Rell Be Free, Amir George, Chantal Gibson, Walis Johnson, JusMoni, Anaïs Maviel, Larry Mizell Jr., Okanomodé, Christina Sharpe
Crossing the punctum. The Tiny People: How to Use Your Book -- Editorial: A Letter to the Sisters of Society -- Mixed Bowling -- Simcoe Days -- Amber Alert -- Moving Images -- Cease n Desist: From the Desk of Viola Desmond -- Veronica?
“Utterly unique . . . examines themes of love, intrusion, loss, community and trust against a backdrop of a Makah reservation in the Pacific Northwest.” —Ms. Magazine Selected as a Staff Pick by The Paris Review Silver Medal winner in the Independent Publisher Book Awards in Multicultural Fiction Fleeing the shattered remains of her marriage and treachery by her sister, a Latina anthropologist named Claudia takes refuge in Neah Bay, a Native whaling village on the jagged Pacific coast. Claudia yearns to lose herself to the songs of the tribe and the secrets of a spirited hoarder named Maggie. Instead, she stumbles into Maggie’s prodigal son Peter, who, spurred by his mother’s faili...
"Close your eyes--make the white gaze disappear." What is it like to be black and joyful, without submitting to the white gaze? This question, and its answer, is at the core of Black Imagination, a dynamic collection collection curated by artist and poet Natasha Marin. Born from a series of exhibitions and fueled by the power of social media (#blackimagination), the collection includes work from a range of voices who offer up powerful individual visions of happiness and safety, rituals and healing. Black Imagination presents an opportunity to understand the joy of blackness without the lens of whiteness.
The term PrEP (Pre-Exposure Prophylaxis) has become part of our dialogues with not only personal physicians but friends and lovers. Readers of The PrEP Diaries will enjoy Peterson's stories about sex, intimacy, and the wild new frontiers of queer life in an increasingly PrEP-savvy world.
Something's Coming, Something Good: West Side Story and the American Imagination takes a critical, comprehensive look at one of the most inventive, influential, and internationally beloved Broadway musicals of all time – from its inception by a brilliant quartet of creators (Robbins, Bernstein, Sondheim, and Laurents) to its smashing success on film, to its ongoing popularity on stages around the world and its potent impact on the Great American Musical. Featuring intriguing chapters on West Side Story in relation to Romeo and Juliet; as a recording phenomenon; as a film rated the second-best movie musical of all time by the American Film Institute; as part of a wave of juvenile delinquency dramas; as the first great choreographer-auteur musical; and as the granddaddy of “youth musicals” such as Hair and Rent, Something's Coming, Something Good is a revealing guide for those who have seen the show; for those who wish to study it for pleasure or inspiration; and for actors, designers, and directors planning on producing it.
"Mike Bartlett's funny and poignant play for one actor tells a story of desire, control, raised blinds and lowered boundaries."--Publisher's website.
Set in 1955, in the redwood country north of San Francisco. Bulrusher is the name given to a baby girl found floating in a basket on the river. As the girl grows up she develops a gift for clairvoyance that makes her feel isolated until a new girl moves into town.
Poetry. "Kary Wayson entrusts her whole art to the ludic music of language, seeking its way, syllable by syllable, phrase by sprightly turn of phrase, through way stations of feeling. She is funny and devastated and electrifying at every turn: '...he held down my knot / with a finger in the center the / better to tie my bow--;' 'I've followed my thinking like a man out driving / --and just back there he missed the turn.' These poems make me laugh out loud and blink back sudden tears. Mostly, though, they leave me slack-jawed at their lexical, logical, and wildly various tonal grace. For anyone seeking to survive primal loss and keep singing, Kary Wayson shows the way."--Suzanne Buffam
In this follow-up to her award-winning debut collection, How She Read, Chantal Gibson delivers an unflinching critique of the representation of Blackness, past and present, in with/holding.