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Jewish Songs for Mandolin
The are in the book songs without text. Check out samples from books: http: //osos.sweb.cz/preview-ukulele.pdf his book features 20 songs. The Mandolin managed to spread worldwide as well as Jewish music before. Moreover, Jewish music achieved to absorb different folk music, mostly European. For the reason you can meet here with beautiful melodies in minor, which are not scales preferred by Mandolin playing. Much joy in the disovery of Jewish songs.
Jazz Forum
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Robert Burns Songs for Mandola Or Tenor Banjo
The are in the book songs without text. Check out samples from book: http: //osos.sweb.cz/Sarek-Guitar-and-Guitalele-preview.pdf Robert Burns (1759-1796) belongs among most famous Scottish poets, who were touched by Romantic interest in their own culture. Therefore, he was interested in Scottish folk song. He collected and prepared it to be published. When he was unsatisfied with lyrics in some of the songs, he revised it and arranged or wrote new lyrics on a former music. That is why many songs could be resurrected to life. And even though today we do not know the authors of the original music, at least we know the author of the lyrics. Therefore, we can play them on the Mandola (CGDA), Ten...
Louis Armstrong
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Czech Renaissance Folk Songs for Dadgad Guitar
Czech musicologist and esthetician Otakar Hostinsky (1847-1910) published in 1892 a collection of folk songs from the Czech Renaissance. This collection contains only the melody, so I created two versions of the song for everyone. The first one is just a melody, the second one is my proposal for harmonization added by me. Have a nice time with melodies examined by time.
Czech Renaissance Folk Songs for Mandolin
The are in the book songs without text. Check out samples from books: http: //osos.sweb.cz/preview-ukulele.pdf Czech musicologist and esthetician Otakar Hostinsky (1847-1910) published in 1892 a collection of folk songs from the Czech Renaissance. This collection contains only the melody, so I created two versions of the song for everyone. The first one is just a melody, the second one is my proposal for harmonization added by me. Have a nice time with melodies examined by time."
Composing Women
This volume presents fifteen musicological perspectives on the creativity of women composers and the question of 'femininity' in Southeastern-European musical cultures from 1918 on. In the questions about and beyond a 'female aesthetics', socio-cultural approaches to the lives of creative women prove to be indispensable for contemporary musicological gender research, because highly complex facts of musical life and social realities in political systems cannot be separated from each other. By this means the exclusion and marginalization of women composers in the national and international music establishment, as well as strategies for overcoming these systems, are made visible and brought to consciousness. This volume therefore focusses on the social, cultural, and biological preconditions of cultural action, and intends to arouse curiosity for multi-layered realities; it aims to increase the reception of the compositional oeuvre of women composers from Southeastern Europe by the global music scene, the musicological discourse, and an engaged audience.
Czech Renaissance Folk Songs for Ukulele with Low G
Czech musicologist and esthetician Otakar Hostinsky (1847-1910) published in 1892 a collection of folk songs from the Czech Renaissance. This collection contains only the melody, so I created two versions of the song for everyone. The first one is just a melody, the second one is my proposal for harmonization added by me. Have a nice time with melodies examined by time.
Czech Renaissance Folk Songs for Gdad Bouzouki
Czech musicologist and esthetician Otakar Hostinsky (1847-1910) published in 1892 a collection of folk songs from the Czech Renaissance. This collection contains only the melody, so I created two versions of the song for everyone. The first one is just a melody, the second one is my proposal for harmonization added by me. Have a nice time with melodies examined by time. The are in the book songs without text. Check out samples from books: http: //osos.sweb.cz/Sarek-Guitar-and-Guitalele-preview.pdf"
12 Passacaglia for Flute, Alto Saxophone and Violoncello
Ondrej Sarek (1979) was born in Brno in the Czech Republic, where he studied composition at the Janacek Academy of Performing Arts in Brno prof. Frantisek Emmert and in parallel musicology at Masaryk University in Brno. Ondrej Sarek �s composing is very diverse. In addition to music for chamber ensembles, symphony orchestra or choir he wrote three mini-operas, music for film, television, music for seven theater productions, folk and instrumental music for rock ensemble. His songs are played not only in this country but also on stages abroad (Poland, Bulgaria, Slovakia, England) and some of the songs took enough so they were issued abroad (USA, Germany, England). At various competitions Ondrej Sarek won eleven awards. Musical style of Ondrej Sarek simplifies gradually and absorbs into itself inspiration from folk music (mainly Central European). In addition to composing, Ondrej Sarek plays the folk instruments. His specialty is the ukulele, guitar, mandolin, mandola, tenor guitar, irish bouzouki, concertina and diatonic accordion. For these instruments wrote and arranged over two hundred and fifty books.
