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THE STORIES: MOONY'S KID DON'T CRY. A short play about a worker, his wife and child. (1 man, 1 woman.) THE DARK ROOM. A tragic sketch about an Italian woman and a welfare worker. (1 man, 2 women.) THE CASE OF THE CRUSHED PETUNIAS. A delightful, hum
THE STORIES: MARGARET’S BED. Elsie picks up Ben at the symphony and brings him back to the apartment she shares with Margaret, who is away for the night. Ben assumes that this is a prelude to sex, but truly Elsie is just desperate for Ben to sleep in Margaret’s empty bed, because she has a pathological fear of sleeping in an empty apartment. (1 man, 1 woman.) THE KILLING. Mac meets Huey at a bar and brings him home to his apartment to share a bottle of whiskey, but this isn’t the kind of pick-up you might think. Mac, who is a religious man and fears damnation, hopes to convince Huey, who does not believe, to kill him. (2 men.) THE POWER OF SILENCE. Teachers at the same school, Emma and...
This collection of royalty-free plays contains classics by well-known playwrights: Glaspell's Trifles, Synge's Riders to the Sea, Strindberg's The Stronger, plus works by Aristophanes, Chekhov, Yeats, Barrie, and others.
This latest volume in a series of short play anthologies compiled by Deb and Norman Bert provides roles for almost any mix of students in an acting class. The plays range in mood from serious and heavy to dark or satiric comedy to farce. The heart of the book includes fifteen scripts for two actors. Also included are five monologues and five three-character plays. The playwrights are icons of the American avante garde, writers who have contributed much to regional theatre over recent years. An excellent resource for classrooms and festival competition use.
This new volume gathers some of Williams' most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas, including "The Pretty Trap," a cheerful take on "The Glass Menagerie," and "Interior: Panic," a stunning precursor to "A Streetcar Named Desire."
23 short length plays for a cast of one, two, or three. 5 minutes acting time for each character. Performance times vary from 8-15 minutes.
Edward Albee, perhaps best known for his acclaimed and infamous 1960s drama Who's Afraid of Virginia Woolf?, is one of America's greatest living playwrights. Now in his seventies, he is still writing challenging, award-winning dramas. This collection of essays on Albee, which includes contributions from the leading commentators on Albee's work, brings fresh critical insights to bear by exploring the full scope of the playwright's career, from his 1959 breakthrough with The Zoo Story to his recent Broadway success, The Goat, or Who is Sylvia? (2002). The contributors include scholars of both theatre and English literature, and the essays thus consider the plays both as literary texts and as performed drama. The collection considers a number of Albee's lesser-known and neglected works, provides a comprehensive introduction and overview, and includes an exclusive, original interview with Mr Albee, on topics spanning his whole career.
Filled with wry, dark humor, unparalleled imagination, unforgettable characters, and exquisitely crafted storytelling, Sam Shepard’s plays have earned him enormous acclaim over the past five decades. In these fifteen one-acts, we see him at his best, displaying his trademark ability to portray human relationships, love, and lust with rare authenticity. These fifteen furiously energetic plays confirm Shepard's status as our most audacious living playwright, unafraid to set genres and archetypes spinning with results that are utterly mesmerizing. Included in this volume: Ages of the Moon Evanescence; Shakespeare in the Alley Short Life of Trouble The Unseen Hand The Rock Garden Chicago Icarus’s Mother 4H Club Fourteen Hundred Thousand Red Cross Cowboys #2 Forensic & The Navigators The Holy Ghostly Back Bog Beast Bait Killer’s Head
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