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HENRY AND VIOLET FELL IN LOVE IN THE ORANGE HOUSE. AND SO WILL YOU. Henry and Violet first met in the garden of The Orange House on the beautiful island of Mallorca. They promised their lives to each other, poured their love into restoring the house and built the foundations of their marriage within its walls. First it was their private idyll, then a place to escape with their son, Luke - but now it has become a battleground. As the years have passed, cracks have appeared and secrets have built barriers between them. Finally, on the brink of divorce, they have come back to Mallorca to sell up. Will this final summer together be the end - or a new beginning? Twenty years ago, The Orange House...
Tamika Sykes, AKA Mik, is hearing impaired and way too smart for her West Bronx high school. She copes by reading lips and selling homework answers, and looks forward to the time each day when she can be alone in her room drawing. She's a tough girl who mostly keeps to herself and can shut anyone out with the click of her hearing aid. But then she meets Fatima, a teenage refugee who sells newspapers, and Jimmi, a homeless vet who is shunned by the rest of the community, and her life takes an unexpected turn.
FROM THE COSTA AWARD-WINNING, WOMEN’S PRIZE-SHORTLISTED AUTHOR OF UNSETTLED GROUND Frances Jellico is dying. A man who calls himself the vicar visits, hoping to extract a deathbed confession. He wants to know what really happened that fateful summer of 1969, when Frances - tasked with surveying a dilapidated country house - first set eyes on the glamorous bohemian couple, Cara and Peter. She recalls the relationship they forged through sweltering days, lavish dinners and elaborate lies, and the Judas hole through which she would spy on the couple. Were the signs there right from the beginning? Or was it impossible to avoid the crime that split their lives open like rotten fruit? ‘Compulsive ... A latter-day Daphne du Maurier’ THE TIMES ‘Clever, compelling ... A rewarding slow burn’ PAULA HAWKINS ‘Bewitching, otherworldly ... full of dark foreboding. Claire Fuller is a dazzling storyteller’ SCOTSMAN ‘Sinister and suspenseful, this gothic novel simmers with guilt, lust and envy’ MAIL ON SUNDAY ‘A darkly smouldering, superior psychological thriller’ DAILY MAIL
The small Orange House stands at the end of the alley, feeling sad and left out as all the nearby tall buildings admire another new building being built. Her old stone stairs and pipes are no match for the new building's elevator and brand new pipes that they say will never burst. Feeling she has no place in the world any more, the Orange House finds surprising new friends as the workmen advance towards her with their shovels and picks.
When a seagull drops a can of orange paint on his neat house, Mr. Plumbean gets an idea that affects his entire neighborhood.
An apocalypse of race, class, and culture, fanned by the media and the harsh L.A. sun.
From the author of beloved Top Ten bestsellers The Inaugural Meeting of the Fairvale Ladies Book Club and The Shelly Bay Ladies Swimming Circle comes a delightful new novel about friendship, love and finding yourself. Far North Queensland, 1993: At 74, former cane farmer Grace Maud is feeling her age, and her isolation, and thinks the best of life may be behind her. Elsewhere in town, high school teacher Patricia has given up on her dreams of travel and adventure and has moved back home to look after her ageing parents, while cafe owner Dorothy is struggling to accept that she may never have the baby she and her husband so desperately want. Each woman has an unspoken need: reconnection. And ...
All the fruits gather together and enjoy a rhyming party, but poor Orange feels left out because he does not rhyme with anything--until Apple invents a new word.
How do gender and power relationships affect the expression of family, House and dynastic identities? The present study explores this question using a case study of the House of Orange-Nassau, whose extensive visual, material and archival sources from both male and female members enable the authors to trace their complex attempts to express, gain and maintain power: in texts, material culture, and spaces, as well as rituals, acts and practices. The book adopts several innovative approaches to the history of the Orange-Nassau family, and to familial and dynastic studies generally. Firstly, the authors analyse in detail a vast body of previously unexplored sources, including correspondence, ar...