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Come Back to Me My Language
Combining the African sources and British colonial traditions, this poetry shares its roots with rap and reggae and has the same hold on the popular imagination. It discusses the work of more than thirty poets and performers and gives detailed analyses of the major ones.
The Politics of Heritage
This collection explores how the heritage industry and cultural policy have responded to questions of nation and national identity
The Jamaican-Canadian Association (1962-2012)
Organizations in the African-Canadian-Caribbean Community have over the years appeared, flourished for a while, and then disappeared, often without a trace. Their history has not been recorded to be dissected by historians, sociologist, and other scholars other than to be added, as one more, to the list of defunct organizations. The Jamaican-Canadian Association (JCA) is in its 50th year and will start its 51st year in 2012. This book attempts to chronicle its origin, its survival struggles, its accomplishments, and activities that take place at the JCA. Survival to 50 is historic. Why has the JCA survived when so many others have failed? The contents of this book may reveal the survival for...
The Orchadian
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Final Fire
See the world through a photographer’s eyes Final Fire is a companion piece to Mitchell’s much-praised 2004 memoir, The Molly Fire, a finalist for both the Writers’ Trust Drainie-Taylor Biography Prize and the Governor General’s Award for Non-fiction, and a Globe and Mail Best Book of the Year. Nearly a half century ago, Mitchell abandoned a safe and secure academic career to become a “cowboy” with a camera and a keyboard. While he has always kept one foot planted firmly in the arts, as a working photographer his search for adventure took him through the Americas, into the High Arctic, across Europe, on to the Middle East, India, and the Far East. He photographed famous athletes, musicians, actors, politicians, revolutionaries, and more than a few criminals. The sum of these scary, strange, heartrending, and funny episodes is one man’s prescription for how to live in a bizarre and, best of all, never boring world. It is also a book about loss. Mitchell reflects on the invention of photography and its transformative effect on world culture and pays tribute to fellow photographers who led remarkable and frequently obsessive lives.
Descendants of William Cromartie and Ruhamah Doane and Related Families
This ambitious work chronicles 250 years of the Cromartie family genealogical history. Included in the index of nearly fifty thousand names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie, who was born in 1731 in Orkney, Scotland, and his second wife, Ruhamah Doane, who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth-generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name or that of on...
Mirror Mirrored
Grimms’ fairy tales, originally collected in 1812, are a timeless chronicle of the possibilities our lives all have, and the full range of human nature. The stories remain just as relevant today as when they were first published over 200 years ago. To introduce these tales to a new generation, Uzzlepye Press presents Mirror Mirrored: An Artists' Edition of 25 Grimms' Tales, a special visual edition of 25 of the stories. It includes not only almost 2,000 vintage Grimms' illustrations remixed into the book alongside the story texts, but also work from 28 contemporary artists visually reimagining these stories.
Recordings
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Africa Woman
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World is Africa
Foreword / Patricia Bickers -- The harmful consequences of Postblack -- Africa 05 : polemic -- Dead artists' society -- Black artists and the fetishisation of the 1980s -- Black British artists and problems of systemic invisibility and eradication : creating exhibition histories of that which is not there -- Framing Black art -- 'Handsworth songs' and the archival image 10 Black British and other African diaspora artists visualising slavery -- 2000's got to be Black -- Next we change Earth -- Keith Piper, Donald Rodney and the artists' response to the archive -- Black British photography -- Sokari Douglas Camp CBE -- William Kentridge : the main complaint -- Hurvin Anderson : double consciou...
