Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Antidote
Is our search for happiness futile? Or are we just going about it the wrong way? Oliver Burkeman turns decades of self-help advice on its head and paradoxically forces us to rethink our attitudes towards failure, uncertainty and death. It's our constant efforts to avoid negative thinking that cause us to feel anxious, insecure and unhappy. What if happiness can be found embracing the things we spend our lives trying to escape? Wise, practical and funny, The Antidote is a thought-provoking, counter-intuitive and ultimately uplifting read, celebrating the power of negative thinking. 'Burkeman has written some of the most truthful and useful words on happiness to be published in recent years' Guardian
Antidote
In Corey Van Landingham's Antidote, love equates with disease, valediction is a contact sport, the moon is a lunatic, and someone is always watching. Here the uncanny co-exists with the personal, so that each poem undergoes making and unmaking, is birthed and bound in an acute strangeness. Wild and surreal, driven by loss, Antidote invites both the beautiful and the brutal into its arms, allowing for shocking declarations about love: that it is like hibernation, a car crash, or a parasite. It soon becomes clear that there is no antidote for grief or heartbreak, that love can, at times, feel like violence, and that one may never get better at saying goodbye.
Shadeland
Shadeland is not only the name of the Illinois farm on which poet Andrew Grace was raised, it is also that elusive space where language attempts to recover all that has been lost. Deeply concerned with the state of today's rural spaces, Grace's poems describe a landscape and a lifestyle that are both eroding. Stylistically rangy, yet united by an ardent eye for intricate imagery, Shadeland features allusions and influences as classical as Homer, Virgil, and Hopkins while still exhibiting a poetic sensibility that is thoroughly contemporary. Employing a blend of baroque and innovative language, these 21st-century pastorals and anti-pastorals both celebrate and elegize the buckshot-peppered silos and unstill cornfields that are quietly vanishing from the countryside.
Blood Prism
The poems in Blood Prism span a lifetime. Its three sections, “Memory,” “Politics,” and “Age,” frame meditations on a violence-blotched world with reflections on the author's childhood and conclusions about a decades-long life of writing. “I'm 60 and still . . . alive in this world, with love and with its palindrome,” one poem says. And the argument of the book turns on that precise puzzle: on evol, invoking as it does both evil and evolve, both human wrong and life as something more than mere survival. In a variety of styles—prose poems, standard and dislocated forms—Hoeppner uses “blood” to represent family and history, his surprising and richly imagistic language rendering the emptiness he calls imagination “into remains. Into what persists.”
Mechanical Cluster
None
Crossing the Snow Bridge
"The manananggal, a supernatural character in Filipino folklore, flies at night seeking prey, her winged upper torso casting shadows from the moonlit sky while the lower part of her body waits patiently below. In this fascinating new collection, Crossing the Snow Bridge, Fatima Lim-Wilson explores the similarly split experience of the immigrant in the United States." "An inhabitant of this country for five years, Lim-Wilson's legal status is that of "resident alien," a disturbing but apt description given the clash of cultures the immigrant encounters daily. Although she still dreams in her native Tagalog, Lim-Wilson writes in her borrowed language, and it is through attempting to understand...
Praying Naked
""A collection of poetry charting a young woman's journey through the extravagant and brutal terrain of desire. Weaves together the Confessional School and the New York School of poetry to chart a sexual and spiritual reckoning"-Provided by publisher"--
A More Perfect Union
Poems at once angry and tender explore motherhood, race, sexuality, and a Black woman's complicated relationship with her country.
Claim Tickets for Stolen People
In Claim Tickets for Stolen People, Quintin Collins embraces a range of poetic forms and registers to show the resilience of Blackness in a colonized world. The tension between mortality and vitality is ever-present, whether Collins is charting his daughter's emergence into being, cataloging the toll of white violence, or detailing the exuberance of community, family, and Chicago and Boston life. In Collins's hands, the world is exquisitely physical and no element is without its own perspective, whether it is a truck sheared by a highway bridge or bees working through the knowledge that humans will kill them, burn their homes, and steal their honey. All goes toward honoring Black grief, Black anger, Black resistance, Black hope--and the persistence of Black love.
Crime in Verse
Over the last few decades, Victorian scholars have produced many nuanced studies connecting the politics of crime to the generic developments of the novel-and vice versa. Ellen L. O'Brien's Crime in Verse grants the same attention and status to poetic representations of crime. Considering the literary achievements and cultural engagements of poetry while historicizing murder's entanglement in legal fictions, punitive practices, medical theories, class conflicts, and gender codes, O'Brien argues that shifting approaches to poetry and conflicted understandings of murder allowed poets to align problems of legal and literary interpretation in provocative, disruptive, and innovative ways. Develop...
