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"The University of Otago has always taken pride in its status as New Zealands first university. Starting a university in 1869 was a bold move: other regions observed Otagos action with a mixture of surprise, scepticism and envy. The venture paid off: from small beginnings, the university grew into a large institution with local, national and international significance. Like any organisation, the University of Otago has had its good times and its bad times. It has been at some periods and in some ways deeply conservative, and in other ways boldly entrepreneurial. A good history is a critical assessment rather than a public relations exercise, and Alison Clarke has consulted and researched wid...
The primordial peninsula and people. He whenua hou: a new land -- Arrival and adaptation -- Continuity and change: making southern Māori -- The world washes ashore. Takata Pora: the people of the ships, European exploration, Māori discovery 1770-1830 -- 'Soon may the Wellerman come': whaling at Ōtākou 1831-48 -- Improving God's creation. 'A desperate struggle': British settlement on the Otago Peninsula 1848-61 -- The axe and the lucifer match: boom-time settlement of the 1860s and 1870s -- 'The whole face of Nature is altered': 1881-1900.
The magnetic process -- Drift -- Footnotes to The heroic age -- Footnotes to A history of the atmosphere -- Footnotes to A history of the cryosphere -- Footnotes to A history of the honeymoon -- Footnotes to A history of climate -- Appendix 1. Magnetic traces -- Appendix 2. Correspondence.
Queer lives give rise to a vast array of objects: the things we fill our houses with, the gifts we share with our friends, the commodities we consume at work and at play, the clothes and accessories we wear, and the analogue and digital technologies we use to communicate with one another. But what makes an object queer? The sixty-three chapters in Queer Objects consider this question in relation to lesbian, gay and transgender communities across time, cultures and space. In this unique international collaboration, well-known and newer writers traverse world history to write about items ranging from ancient Egyptian tomb paintings and Roman artefacts to political placards, snapshots, sex toys and the smartphone. Fabulous, captivating, transgressive.
How does a city make a writer? Described by Fiona Kidman as a ravishing, immersing read, A Strange Beautiful Excitement is a wild ride through the Wellington of Katherine Mansfields childhood. From the grubby, wind-blasted streets of Thorndon to the hushed green valley of Karori, author Redmer Yska, himself raised in Karori, retraces Mansfields old ground: the sights, sounds and smells of the rickety colonial capital, as experienced by the budding writer. Along the way his encounters and dogged research -- into her Beauchamp ancestry, the social landscape, the festering, deadly surroundings -- lead him (and us) to reevaluate long-held conclusions about the writers shaping years. They also lead to a thrilling discovery. This haunting and beautifully vivid book combines fact and fiction, biography and memoir, as Yska rediscovers Mansfields Wellington, unearthing her childhood as he goes, shining a new lamp on old territory.
Far from dead, our ghosts live within us always ... Poet Siobhan Harvey's latest collection is about migration, outcasts, the search for home, and the ghosts we live with, including the ones who occupy our memories, ancestries and stories. It begins in a contemporary inner-city suburb where a poet starts to chart the regeneration she witnesses, its difficulties and opportunities. Along the way, the collection moves across time-zones, oceans and continents, breaking down personal and political walls, and unleashing ghosts everywhere. Ultimately, Ghosts is a work concerned with dislocation, rejection, homelessness, family trauma and how we can give voice to the lost souls inside us all.
Journalist James Herries Beattie recorded southern Maori history for almost fifty years and produced many popular books and pamphlets. Traditional Lifeways of the Southern Maori is his most important work. This significant resource, which is based on a major field project Beattie carried out for the Otago Museum in 1920, was first published by Otago University Press in 1994 and is now available in this new edition. Beattie had a strong sense that traditional knowledge needed to be recorded fast. For twelve months, he interviewed people from Foveaux Strait to North Canterbury, and from Nelson and Westland. He also visited libraries to check information compiled by earlier researchers, spent t...
"Hudson & Halls: The food of love is more than just a love story, though a love story it certainly is. It is a tale of two television chefs who helped change the bedrock bad attitudes of a nation in the 1970s and 80s to that unspoken thing, homosexuality. Peter Hudson and David Halls became reluctant role models for a 'don't ask, don't tell' generation of gay men and women who lived by omission. They were also captains of a culinary revolution that saw the overthrow of Aunty Daisy and Betty Crocker and the beginnings of Pacific-rich, Asian-styled international cuisine. Their drinking, bitching and bickering on screen, their spontaneous unchoreographed movements across the stage that left cameras and startled production staff exposed broke taboos and melted formalities. They captivated an unlikely bunch of viewers, from middle-aged matrons to bush-shirted blokes. Hudson and Halls were pioneers of celebrity television who rocketed to stardom on untrained talent and a dream"--Title page verso.
"In the aftermath of the Christchurch terrorist attacks of 15 March 2019, Prime Minister Jacinda Ardern declared: 'We are all New Zealanders.' These words resonated, an instant meme that asserted our national diversity and inclusiveness and, at the same time, issued a rebuke to hatred and divisiveness. Ko Aotearoa Tātou | We Are New Zealand is bursting with new works of fiction, nonfiction, poetry and visual art created in response to the editors' questions: What is New Zealand now, in all its rich variety and contradiction, darkness and light? Who are New Zealanders? The works flowed in from well-known names and new voices, from writers and artists from Kerikeri to Bluff. Some are teenagers still at school; some are in their eighties. Māori, Pākehā, Pasifika, Asian, new migrants, young voices, queer writers, social warriors ... Aotearoa's many faces are represented in this unique and important compendium. In a society where the arts, especially marginalised arts, are under threat, this anthology shows that creative work can explore, document, interrogate, re-imagine - and celebrate - who we are as citizens of this diverse country, in a diverse world"--Cover flap.
Introduction: investing in the early years. 1. Psychology of freedom: Understanding children. Benefits of play. Free play at kindergarten. I play and I grow at playcentre. Teaching mothers and motherly teachers. Playway at school. Permissive messages to mothers. Parent campaigns -- 2. Psychology of disorder: (Dys)functional families. Working mothers and maternal deprivation. The backyard growth of childcare. Regulating childcare. Blaming mothers. Illegitimate solutions -- 3. Getting ahead: The problem with education for Maori children. Sylvia-Ashton Warner: the little ones . Maori children at preschool. Combating disadvantage with a head start. Revolution in learning. Te Kohanga: a chance to...