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An extensive study of the origins and culture of the mysterious Huns and the civilizations affected by their invasions
An extensive study of the origins and culture of the mysterious Huns and the civilizations affected by their invasions. The first part of the book deals with the political history of the Huns, however, they are not a narrative. The second part of the book consists of monographs on the economy, society, warfare, art, and religion of the Huns. What distinguishes these studies from previous treatments is the extensive use of archaeological material. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.
An extensive study of the origins and culture of the mysterious Huns and the civilizations affected by their invasions. The first part of the book deals with the political history of the Huns, however, they are not a narrative. The second part of the book consists of monographs on the economy, society, warfare, art, and religion of the Huns. What distinguishes these studies from previous treatments is the extensive use of archaeological material. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.
Introduces readers to the cross-cultural study of ancient and classical civilizations. The book is divided into two sections, the first examining the ongoing interaction between ancient agrarian and nomadic societies and the second focusing on regional patterns in the dissemination of ideas.
Strife has raged about Karl Marx for decades, and never had it been so embittered as at the time of this book’s first publication, 1936. Marx had impressed his image on the time as not other had done. To some he was – and still is – a fiend, the arch-enemy of human civilisation, and the prince of chaos, while to others he is a far-seeing and beloved leader, guiding the human race towards a brighter future. The arena in which Marx was fought about in 1936 was in the factories, in the parliaments and at the barricades. In both camps, the bourgeois and the socialist, Marx was first of all, if not exclusively, the revolutionary. This book sets out to describe the life of Marx the fighter.
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Strife has raged about Karl Marx for decades, and never had it been so embittered as at the time of this book’s first publication, 1936. Marx had impressed his image on the time as not other had done. To some he was – and still is – a fiend, the arch-enemy of human civilisation, and the prince of chaos, while to others he is a far-seeing and beloved leader, guiding the human race towards a brighter future. The arena in which Marx was fought about in 1936 was in the factories, in the parliaments and at the barricades. In both camps, the bourgeois and the socialist, Marx was first of all, if not exclusively, the revolutionary. This book sets out to describe the life of Marx the fighter.
Ripinsky-Naxon explores the core and essence of shamanism by looking at its ritual, mythology, symbolism, and the dynamics of its cultural process. In dealing with the basic elements of shamanism, the author discusses the shamanistic experience and enlightenment, the inner personal crisis, and the many aspects entailed in the role of the shaman.
Elkins argues that writing is what art historians produce, and, whether such writing is a transparent vehicle for the transmission of facts or an embattled forum for the rehearsal of institutional relations and constructions of history, it is an expressive medium, with the capacity for emotion and reflection. Therefore, it needs to be taken seriously for its own sake: it is the testament of art history and of individual historians, and it is only weakened and slighted by versions of history that imagine it either as uncontrolled dissemination or as objective discovery and reporting.
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