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Performativity in the Gallery
This book responds to the increase in live art programmed in many galleries and museums. The essays challenge the exclusion of live art from the the art history canon and explore participation, interactivity, digital and performative practices as presented in gallery spaces. Contributors include curators, academic scholars and practicing artists.
Rising Stars 2014
Rising Stars is a platform to view and collect some of the most exciting new crafts by emerging makers from crafts and applied arts programmes across the UK. Includes essay by Rebecca Skeels and work by UCA graduates Jessica Frost, Anum Khan, Lisa Larcombe, Hajnalka Rezes, Charlotte Stockley, and Julia Webster.
Rising Stars 2017
Rising Stars 2017 is a competition produced by New Ashgate Gallery in partnership with the University of Creative Arts. It showcases some of the most exciting new craft by emerging makers from crafts and applied arts programmes across the UK. The makers in this year's shortlist are Evgeniia Balashova, Holly Suzanna Clifford, Matt Davis, Amanda Denison, Joanna Hayward, Alice Heaton, Emily Higham, Isabel Howe, Emma Johnson, Monette Larsen, Danny Lee Design, Karen Lester, Catherine Phillips, Rhian Malin, Julie Massie, Laura Marriott, Tina MacLeod, Lauren Nauman, Loucinda Nims, Suzanne Seed, Troo Studio and Rosie Wesley.
Encyclopedia of Identity
Alphabetically arranged entries offer a comprehensive overview of the definitions, politics, manifestations, concepts, and ideas related to identity.
Conspiracy Dwellings
'Conspiracy Dwellings' brings together nine illustrated essays of theorists and art practitioners about artworks made in the midst of conflict or from the position of commentary in topics that span from the 70s to the present day. These essays also consider artworks that address conflict and resistance as a lived experience.
Performance
This book focuses on performance and performance-based artworks as seen through the lens of conservation, which has long been overlooked in the larger theoretical debates about whether and how performance remains. Unraveling the complexities involved in the conservation of performance, Performance: The Ethics and the Politics of Conservation and Care (vol. 1) brings this new understanding to bear in examining performance as an object of study, experience, acquisition, and care. In so doing, it presents both theoretical frameworks and functional paradigms for thinking about—and enacting—the conservation of performance. Further, while the conservation of performance is undertheorized, perf...
Theatre, Exhibition, and Curation
Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art. Moving beyond the exhibition of immaterial art and its documents, as well as re-enactment in gallery contexts, Guy's book articulates an emerging field of arts practice distinct from but related to increasing curatorial provision for ‘live’ performance. Drawing on a recent proliferation of object-centric events of display that interconnect with theatre, the book approaches artworks in terms of their curation together and re-theorizes the exhibition as a dynamic context in which established traditions of display and...
Don't Ask for the Mona Lisa
This publication provides an introduction to key aspects of exhibition curation, from the early planning stages to the design and opening of the show. The booklet provides assistance to those organising both small-scale and large exhibitions, as well as offering guidance on working with paintings, sculptures, and contemporary installations. Whether your exhibition is to be held at a large venue, with a team of curators, conservators, and technicians, or a smaller institution, the authors have outlined the possible eventualities and responsibilities associated with exhibition planning. It also gives guidance on why and how to propose an exhibition, and offers general advice on planning and installation. It describes the roles of certain staff in galleries and museums, and their responsibilities when an exhibition is being put together. Case studies by academics who have worked on both large and small exhibitions also included, as well as an interview with an exhibition designer.
Rising Stars 2016
Rising Stars is a platform to view and collect some of the most exciting emerging arts and crafts. Many artists who have recently completed their studies are at a cross roads: they have a portfolio of fabulous ideas, but do not have a exhibitor track record. The New Ashgate Gallery offers a starting point to an exceptional career. This catalogue and the exhibition feature work by Mike Barrett, Charlotte Biszewski, Aimee Bollu, Emma Buckley, Rachel Butlin, Karen Elizabeth Donovan, Carol Hunt, Tae Yeon Kim, Georgia Lingwood, Joanna Lloyd, Sarah Luxford, Jane Ogden-Swift, Henry Pucknell, Emma-Jane Rule, Emily Stapleton-Jefferis, Mircea Teleaga, Albeiro Rojas Tomedes and Melissa Yarlett. The programme is supported by the Billmeir Charitable Trust and organised in partnership with the University for the Creative Arts.
Rising Stars 2019
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