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David Hilliard's God's Gentlemen, originally published in 1978, remains the only detached and detailed historical analysis of the work of the Melanesian Mission. Starting with its New Zealand beginnings and its Norfolk Island years (1867-1920), the work follows the Mission's shift of headquarters to the Solomon Islands and on until the beginning of the Second World War. The Mission, which grew out of the personal vision of the first Church of England Bishop of New Zealand, George Selwyn, formally defined its field of work as 'the Islands of Melanesia' although its activities were confined almost entirely to the island groups that now make up Vanuatu and the Solomon Islands. The Diocese of Melanesia was a fully constituent diocese of the Anglican Church of New Zealand from its formation in 1861 until the creation of the autonomous Church of the Province of Melanesia in 1975. Based on a wide range of sources, God's Gentleman is the inner history of the slow growth of an important and genuinely Melanesian church.
Where the Waves Fall (1984) centres the stories of the Pacific Islanders and how they were affected by European explorers and colonisers in this unique account of human settlement and cultural interchange in the Pacific islands. It follows the fortunes of the seafarers who discovered island after island in the world’s largest ocean, traces the development of their civilisations and examines in depth the interaction between them and the newcomers – European explorers, traders, beachcombers, missionaries, merchants – who from the sixteenth century came in an increasing series of waves. The book’s framework enables the author to throw new light on hitherto isolated events. Novel suggestions are advanced as to why some islands became ‘kingdoms’ in the earlier years of European contact and why others did not, and of how and why missionaries were accepted on some islands but not on others. Nor does Professor Howe shrink from provocative and at times controversial arguments concerning the ambitions and strategies of island leaders and indeed the overall nature and extent of the initiatives taken by the islanders.
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Opposition to the British colonisation of Australia did not spring from the Mabo decision or the Native Title Act, nor was it born in the vibrant 1960s, which culminated in the famous tent embassy in 1972. Rather, the first politically organised and united all-Aboriginal activist group was the Australian Aboriginal Progressive Association (AAPA), begun in 1924 under the leadership of Frederick Maynard. For the first time Aboriginal people voiced their disapproval in public in a well-organised way. They opened offices in Sydney, held street rallies. conducted public meetings, gained newspaper coverage, wrote letters and petitions to Government at all levels, and collaborated with the international black labor movement. The AAPA's demands resonate today. They centred on Aboriginal rights to land, stopping Aboriginal children being taken from their families, the acquisition of citizenship rights, and defending a distinct Aboriginal cultural identity. This form of resistance and organised action has now endured for more than seventy years and through a detailed exploration of the life of his grandfather, John Maynard reveals the AAPA's invaluable legacy.
After the Celebration explores Australian fiction from 1989 to 2007, after Australia's bicentenary to the end of the Howard government. In this literary history, Ken Gelder and Paul Salzman combine close attention to Australian novels with a vivid depiction of their contexts: cultural, social, political, historical, national and transnational. From crime fiction to the postmodern colonial novel, from Australian grunge to 'rural apocalypse fiction', from the Asian diasporic novel to the action blockbuster, Gelder and Salzman show how Australian novelists such as Frank Moorhouse, Elizabeth Jolley, Peter Carey, Kim Scott, Steven Carroll, Kate Grenville, Tim Winton, Alexis Wright and many others have used their work to chart our position in the world. The literary controversies over history, identity, feminism and gatekeeping are read against the politics of the day. Provocative and compelling, After the Celebration captures the key themes and issues in Australian fiction: where we have been and what we have become.